MAYDAY! MAYDAY! MAYDAY!

MAYDAY! MAYDAY! MAYDAY!

For this Memorial Day, I decided to participate in artist, Susan Silton’s “forceful call to action” project: MAY DAY! MAY DAY! MAY DAY!  This protest memorial, conceived and organized by artist Susan Silton, asks us to honor someone who has lost their life to Covid-19 by adding their name to this “Memorial Protest digital wall”, and then to take it a step further by sending their name on a postcard (or in an envelope) to the White House. This way we’re not only memorializing and honoring those who have lost their lives to this virus, but we’re also helping out the U.S. Postal Service.

As Silton says on her website:  MAYDAY! MAYDAY! MAYDAY! was created in home-shelter to register not just our outraged voices, but the voices of those who are no longer able to speak. This is just one of many monuments for urgent times. We cannot, we must not, be silenced. And we cannot, we must not, lose the U.S. Postal Service to this President’s malevolent intentions.

“If we’re not able to deliver body bags to this President, let’s deliver bags of handwritten names of those we’ve lost.”

I chose to honor and add Kious Kelly to Silton’s wall. Kelly was a 48-year-old nurse manager from Mt. Sinai West hospital, and is thought to be one of the first nurses in New York City to have lost their life to Covid-19. Had Kious Kelly had adequate personal protective equipment (PPE) while he was helping others, he may still be among us today.

Please join at www.maydaymaydaymaydayproject.com

Susan Silton is an interdisciplinary artist based in Los Angeles. Her projects incorporate photography, video, installation, performance, sound and language. Her work is exhibited in museums, galleries, and often is in public spaces, such as her contribution to the exhibition How Many Billboards? Art in Stead and her operatic work,A Sublime Madness in the Soul, which presented through the windows of her studio in downtown Los Angeles and was visible from the Sixth Street Viaduct just prior to its being demolished and reconstructed.

In 1995, she won a James D. Phelan Art Award in Photography.