Platform LA seems to have it all going on, and for good reason, with one of its highlight restaurants — Hayden. Hayden, a modern Los Angeles restaurant and wine bar, is helmed by chef and partner, Ari Kolender. Aptly named for the creative community of the Hayden Tract, the restaurant will highlight local California ingredients with European influences set in a relaxed and vibrant atmosphere. Hayden will offer a new wine program and Golden Hour, from 5 pm to 7pm, which will offer $1.50 oysters and $8 glasses of wines with special tastings with Beverage Director Anthony Cailan on Saturdays.
In addition, the exquisite restaurant continues to offer its can’t-miss light morning menu, including Chef Kolender’s signature waffles, Vittoria coffee, plus a menu of tartines, salads, and sandwiches throughout the day. During afternoons and evenings, diners can expect oysters, European canned seafood, and an extensive selection of new California wines, which will also be available throughout the day in Hayden’s wine shop.
About Anthony Cailan
Anthony Cailan, Hayden’s Beverage Director, focuses especially on natural California wines in the shop, and is one of the few sommeliers who chill red wine by the glass. With an extensive culinary background in some of the most popular and successful businesses and events across California and the country, Cailan lends his expertise to Hayden to create a rare and unforgettable experience for diners.
About Ari Kolender
Chef Kolender has cooked in some of the best kitchens in Los Angeles, including Providence and Red Medicine. Before opening Hayden, he worked at The Ordinary and Leon’s Fine Poultry & Oyster Shop in Charleston, where he was nominated for the James Beard Rising Star Chef award.
The design of the restaurant reflects the spirit of Kolender’s cooking. This focus on simple high-quality materials can be seen in the custom woodwork, handmade ceramic flatware, and an Italian marble bar. The Hayden team also collaborated with their neighbor, British designer Tom Dixon, on the lighting and furniture in the space.
Kolender summarized the spirit of the project: “Hayden was inspired by the neighborhood. From gallery owners to music producers to fashion designers, the Hayden Tract is full of entrepreneurs as well as up and coming artists. I want to create a gathering space for all of these people to come together and enjoy a great meal and an incredible bottle of wine any time of day. The food we cook at Hayden will be inspired by and reflect the diverse and elegant city in which we live.”
Location: 8820 Washington Blvd, Culver City, CA 90232 Hours: 12 pm – 9 pm daily Phone: (310) 593-4777
The University Art Museum at Cal State Long Beach presents Robert Irwin: Site Determined, exploring outdoor environmental projects. See the first exhibition to probe four decades of the artist’s evolution through rare drawings and models. A rare look into the inner workings of an iconoclast. The University Art Museum (UAM) at California State University, Long Beach (CSULB) examines the practice of one of the most significant American artists of the postwar generation in Robert Irwin: Site Determined. This exhibition traces Irwin’s process development as he embraced the ambient environment itself as his medium in his outdoor site-responsive projects.
Robert Irwin: Site Determined reveals the artist’s process and demonstrates how he used landscape as muse and upheld observer as collaborator. It becomes clear, while viewing the multitude of the artist’s plans, that Irwin sees plays of light and spatial shifts as opportunities for a particular type of discovery, from visual perception, to environmental participation, to situational revelation. The artist establishes a new space for interaction-driven creative insight. With reverence for the outdoor environment comes a new way of art making—one that is intimate and full of affect. The story of Irwin’s growth is accompanied by the journey of the viewer, as they come to understand how their perception plays a role in art appreciation—an appreciation that contributes to a collective sense of place. Robert Irwin: Site Determined allows the viewer to stand alongside Irwin in these aesthetic inquiries, to recognize their body in space and realize the profundity of their own dynamic interactions with environment around them.
Window Wall (1975), is located on the CSULB campus.
Robert Irwin: Site Determined begins with his 1975 drawing for Window Wall, in the moment when Irwin “broke the frame,” turning the ambient environment itself into his medium. The exhibition traces his continued site-responsive experimentation over several decades, examining the development of projects now beloved, such as the Getty Central Garden and Untitled (dusk to dawn) in Marfa, Texas, as well as projects that were never actualized. Unrealized projects, like the Arts Enrichment Master Plan for the Miami International Airport, are unknown to the public, and these drawings and models are the only way someone can experience them. The artist writes that site determined art, “draws all of its cues (reasons for being) from its surroundings. This requires the process to begin with an intimate, hands-on reading of the site.” “A quiet distillation of all of this,” he adds, “determines all the facets of the ‘sculptural response.’” In this way, the artist relinquishes agency to the environment itself, commits to a conditional practice, and becomes a leading voice in contemporary art.
Robert Irwin: Site Determined invites the visitor to witness Irwin’s thinking as he developed unique responses to different sites. Almost all the drawings and architectural models of projects dating from 1975 to 1982 are in the context of university campuses, where foot traffic would energize the works. The figure above shows his drawing for Two Running Violent V Forms, with its initial pink coloring. The project was installed within a wooded area on the campus of UC San Diego. Irwin shifted his color choice and highlighted the natural blues of the site; indigo transparent scrims pulled tautly between seven poles captured the sky within the trees. Here we see the artist’s penchant for reframing the landscape to create a new sense of the environment. The infinite possible perceptions of the micro and macro create the logical framework for the artist’s ambitious Miami International Airport commission proposal; derived from the tropical South Florida surroundings, the project plans showcase the artist’s sense of aesthetic order, from petal, to stalk, to stream. Although the project was never realized, the care with which creative choices were made is clear in these drawings, in each element snaking from the terminals to the gardens. In the Central Garden of the J. Paul Getty Center, Irwin applied the lessons of the Miami project with spiraling greenery around a walkable labyrinth. Several drawings and an architectural model guide the viewer through the developing conception of Irwin’s monumental, “modern garden,” as he termed it.
Robert Irwin: Site Determined also draws parallels between the artist’s aesthetic evolution and widening conceptions of his practice. The exhibition underscores his exploration of chromatic vibrancy and development as a draughtsman in the planning of his most ambitious projects. The UAM invites the viewer to observe the artist’s increasing creative freedom and expanding artistic range. The exhibition culminates with twenty drawings and two architectural models for one of Irwin’s most important site-determined works, Untitled (dusk to dawn), completed in 2016 in Marfa, Texas. The project, at one time drawn with bright orange hues, was ultimately built in a monochromic palette upon the ruins of the Fort D.A. Russell hospital building on the campus of the Chinati Foundation. Although he ultimately decided against the use of color as shown here in Marfa Color Plan (2002), Irwin used the lack of roof and windowpanes to his advantage; hanging translucent scrim panels in the black and white hallways, the artist created an illuminated and ephemeral space that mediates between indoor and outdoor. The crawling dance of light and shadow in this acclaimed project creates its own color, when examined closely. The Chinati Foundation building’s art and architecture inspire long, lingering looks, deep reflection by the viewer, and represent a high point in the artist’s esteemed career. The drawings presented in the exhibition lead the viewer through the artist’s process as the project evolved, giving the viewer a rare glimpse into Irwin’s thinking in the development of his masterpieces.
This exhibition is organized by the University Art Museum, CSULB, and is curated by Dr. Matthew Simms, Professor of Art History, CSULB. Simms is editor of Robert Irwin, Notes Toward a Conditional Art (Getty 2011) and author of Robert Irwin: A Conditional Art (Yale 2016).
The exhibition opens to the public on Monday, January 29 and is on view until April 15, 2018, after which it will travel to the Pratt Institute of Architecture.
Acknowledgements The UAM would like to extend a heartfelt thank you to those who generously provided financial support to the exhibition and catalogue publication. Exhibition, publication, and programming funding was granted by the Contemporary Collectors of Orange County, the Pasadena Art Alliance, the Graham Foundation for Advanced Studies in the Fine Arts, the Port of Long Beach, the Arts Council for Long Beach, the City of Long Beach, and the Miller Foundation. Additional support was provided by the Museum Studies Program at the CSULB; the CSULB Instructionally Related Activities Fund; CSULB Associate Students, Inc.; the Ware Endowment; the Charles and Elizabeth Brooks Endowment; the Constance W. Glenn Fund for Exhibition and Education Programs; Dr. Ronald and Sylvia Hartman, Donna Mills, and Brian Cooke. The “Window Wall” conservation project is made possible by generous funding from the Institute of Museum and Library Services, Elaine Ridder, Tom and Barbara Peckenpaugh, Dr. Ronald and Sylvia Hartman, Michael and Susan Davis, Michael and Lynn Stearns, Helen and Stanley Molles, and Judy Ross. The UAM is also indebted to the Getty Conservation Institute, Rosa Lowinger and Associates, and Facilities Management at CSULB for partnering with us on the conservation.
Events UAM @ Noon Gallery Talk with Matthew Simms Wednesday, February 21, 12-1 p.m. | Location: UAM Main Gallery
Join us for an exhibition walkthrough with Art History Professor Matthew Simms, Curator of Robert Irwin: Site Determined. Professor of Art History at CSU Long Beach. Simms holds a PhD in Art History from Harvard University (1998). In addition to being author and editor of the aforementioned leading books on Irwin, he also conducted a landmark oral history interview with Irwin under the auspices of the Archives of American Art, Washington, DC (2014). Most recently, Simms authored of the first scholarly monograph on Irwin’s art and career, Robert Irwin: A Conditional Art, published in 2016 by Yale University Press.
In Conversation: Practice, Process, and Projects with Walter Hood Thursday, March 8, 7-9 p.m. | Location: UAM Front Plaza
The UAM and the Department of Design have partnered to present a talk by Walter Hood as part of the Duncan Anderson Design Lecture Series.
Walter Hood is the award-winning Creative Director and Founder of Hood Design Studio in Oakland, CA. He is also a professor at the University of California, Berkeley and lectures internationally. Hood Design Studio is tripartite practice, working across art + fabrication, design + landscape, and research + urbanism. The resulting urban spaces and their objects act as public sculpture, creating new apertures through which to see the surrounding emergent beauty, strangeness, and idiosyncrasies. The Studio’s award winning work has been featured in publications including Dwell, The Wall Street Journal, The New York Times, Fast Company, Architectural Digest, Places Journal, and Landscape Architecture Magazine. Walter Hood is also a recipient of the 2017 Academy of Arts and Letters Architecture Award.
In Conversation: Site Determined – An Unfolding in Time with Sally Yard Wednesday, April 11, 7-9 p.m. | Location: UAM Front Plaza
Sally Yard is Professor of Art History, University of San Diego. She writes about art since the Second World War and researches the interconnectedness of public art, its time, and its terrain. Yard is the author of Christo: Oceanfront (Princeton University Press) and contributing essayist in Robert Irwin (Museum of Contemporary Art, Los Angeles and Rizzoli, 1993); Museum as Muse (Museum of Modern Art, New York and Abrams, 1999); along with Private Time in Public Space (1998), Fugitive Spaces (2002), and A Dynamic Equilibrium: In Pursuit of Public Terrain (2007).
About the Catalogue – Robert Irwin: Site Determined Robert Irwin: Site Determined is the first book to focus on the role drawings and models have played in the artist’s creative process. It includes projects on college campuses; his major, yet never realized, commission for the Miami International Airport; the Central Garden at the J. Paul Getty Museum in Los Angeles; and the Chinati Foundation in Marfa, Texas, a monumental artwork that brilliantly connects viewers to the land and sky, and one of Irwin’s most ambitious works to date. Throughout this collection of drawings and models of magnificent, groundbreaking projects, readers will come to see Irwin as a visionary artist and brilliant draftsman. It is published by the University Art Museum at California State University, Long Beach and DelMonico Books•Prestel. The richly illustrated catalogue includes historical and interpretive essays written by specialists on Irwin’s art. The authors include: Matthew Simms, Professor of Art History at CSU Long Beach. He is the editor of Notes Toward a Conditional Art: The Writings of Robert Irwin (Getty, 2011). He recently conducted a landmark oral history interview with Irwin under the auspices of the Archives of American Art, Washington, DC (2014). Sally Yard, Professor of Art History at the University of San Diego. Yard holds an MA and a PhD in Art and Archeology from Princeton University. Her work focuses on the relationship of art and public space. Selected published works include essays in Robert Irwin (Museum of Contemporary Art, Los Angeles and Rizzoli, 1993) and A Dynamic Equilibrium: In Pursuit of Public Terrain (2007) Ed Schad, writer and curator living in Los Angeles. He writes for Art Review, Art Slant, and The Brooklyn Rail, among other publications. He is Associate Curator and Publication Manager at the Broad, Los Angeles. He holds an MA from the School of the Art Institute of Chicago.
Written by Amanda Fruta Public Affairs & Communications Specialist University Art Museum, CSU Long Beach 1250 Bellflower Blvd Long Beach, CA 90814 Amanda.firstname.lastname@example.org
2018 SHE ROCKS AWARDS Friday, January 26, 2018 The House of Blues Anaheim, Anaheim CA 6:30pm – 10:00pm
2018 honorees (top row): Melissa Etheridge, The B-52’s Cindy Wilson and Kate Pierson, Exene Cervenka, Karla Redding-Andrews (middle row): Vanessa Mering, Fanny: Patti Quatro Ericson, Jean Millington Adamian, Brie Howard Darling, June Millington and Alice de Buhr; Dawn Birr (bottom row): Fabi Reyna, Amberly Crouse-Knox, Kristy Porter, Candace Stewart, and co-hosts Kat Corbett and Laura B. Whitmore
The Women’s International Music Network (the WiMN), proudly announces the 2018 She Rocks Awards honorees. Paying tribute to women in the music industry, the sixth annual She Rocks Awards at the NAMM Show will debut at its new home, the House of Blues Anaheim, on Friday, Jan. 26, 2018 at 6:30p.m.
The 2018 She Rocks Awards recipients include:
Melissa Etheridge, Grammy® Award- and Academy® Award-winning artist
The B-52s Katie Pierson & Cindy Wilson, original members of one of the most beloved party rock bands of all time
Karla Redding-Andrews, Executive Director for The Otis Redding Foundation
Exene Cervenka, vocalist for the iconic punk band, X
Amberly Crouse-Knox, Senior Director of Creative and Business Development, BMG Production Music
Jean Millington Adamian, June Millington, Brie Howard Darling, Patti Quatro Ericson and Alice de Buhr of the pioneering all-female American rock band, Fanny
Candace Stewart, Studio Manager, EastWest Studios in Hollywood
Dawn Birr, Channel Manager for the Americas, Sennheiser Business Solutions
Fabi Reyna, Founder and Editor of She Shreds Media
Vanessa Mering, Marketing Manager, HARMAN Professional
Kristy Porter, Guitar Center’s Director of Merchandising, General Accessories & Media
The event will be co-hosted by Kat Corbett, DJ on KROQ in Los Angeles, where she hosts the midday show and local music show, Locals Only, and host for Sirius XM. She’ll be joined by WiMN founder Laura B. Whitmore.
Gearing up for its sixth consecutive year, the She Rocks Awards pays tribute to women who display leadership and stand out within the music industry, and has become a standard at the NAMM Show. Previous award recipients include female industry leaders such as Colbie Caillat, Ronnie Spector, Sheila E, The Bangles, Shirley Manson, Esperanza Spalding, Chaka Khan, Jennifer Batten, Karmin, Orianthi, Dinah Gretsch, Craigie Zildjian, and more.
The She Rocks Awards brings together industry professionals, music icons, artists, fans and media to celebrate women in music. This high-energy evening includes live music, awards and speeches, celebrity appearances, a fabulous silent auction, food and beverages, giveaways, amazing gift bags and more!
Ascencia is not only a safe haven for homeless individuals and families, but also a multi-service center that includes street outreach, employment services, substance abuse recovery assistance, benefits advocacy, has an onsite health clinic and offers psychiatric services, as well as an adjacent shelter. Plus, they have a transitional housing program and a permanent supportive housing program. Their mission is to lift people out of homelessness, one person, one family at a time. Ascencia envisions a community where people in need can find services, resources, and safe, affordable housing. Please support Ascencia in their efforts to help people find their way back from homelessness.
There are several ways you can help: Ascencia welcomes donations – (please click on the link to see how and what to donate) Or if you prefer you can volunteer – (please click on the link to see how to volunteer – tutoring, arts, cooking etc..) Or support their fundraiser in January 2018 – A Royal Night (Click on the pages below to enlarge).
Nigerian-American International Pop, RnB & Afro Beats artist Meaku recently released a music video for his smash hit “Banana” in downtown LA at the hip Blue Moon Hookah Lounge. The single “Banana” written and performed by Meaku and produced by JB Minor, has reached impressive streaming numbers on the underground online music circuit. The video’s visuals capture the tune’s essence by including an ode to the iconic Josephine Baker, along with imagery of African culture, dance and a taste of humor.
An open bar provided by Star Tender and complimentary Nigerian Jollof and plantain added to the festive spirit of the party as did a photo booth area provided by Opulen Photobooth. As the video premiered the crowd cheered Meaku and his production team on a job well done. There was even an emotional surprise birthday video and cake presented to the man of the hour that brought the rising start to tears and showed of a side of him not often shared with mainstream media.
The yellow fruit themed event was produced by LaMay Day Productions and Events with Edna.
Roberta’s, the world renowned pizzeria from Brooklyn, has opened its first extended residency on the West Coast at PLATFORM.
Following last year’s inaugural residency at Platform LA, Roberta’s will once again be serving their wood-fired pizzas and a selection of natural wines, courtesy of Hayden’s wine shop, in Hayden Tract. In what could possibly become an annual occurrence, Roberta’s is returning to Los Angeles this December, from the 6th to the 23rd. Joseph Miller, Co-Founder of Platform LA says, “We had so much fun hosting the Roberta’s crew last year and can’t wait to have them back again for the holidays at PLATFORM.”
Roberta’s Co-Owner and Chef Carlo Mirarchi says, “We’re psyched about being back in LA and spending time with our friends on the West Coast. We can’t wait to serve all the great people that came out to see us last year, and are excited to welcome any one who hasn’t dined with us before.”
Pizza lovers can find Roberta’s at PLATFORM LA, (8850 Washington Blvd., Culver City) from December 6 – 23, 2017, and open Wednesday – Sunday from 12:00 p.m. – 9:00 p.m. Their menu includes signature pizzas alongside a local, seasonal special, in addition to Margherita, Bee Sting, and the Famous Original — all available in a personal pie size, and priced from $12 per pizza. All pizzas are also available for dining onsite or for takeaway.
Nestled in the heart of Bushwick, Brooklyn, Roberta’s is the creation of Brandon Hoy and Chef Carlo Mirarchi. Opened in January of 2008, the restaurant has become a neighborhood institution, an international culinary destination, and an incubator for progressive entrepreneurship. Described by The New York Times as “one of the more extraordinary restaurants in the country,” Roberta’s is built inside a former manufacturing building and features communal seating, private tables, and a sun-soaked atrium. Roberta’s is far more than a restaurant – the full campus includes a multi-use outdoor terrace and bar, Heritage Radio Station, an onsite vegetable garden, and discreet access to the two-Michelin Star restaurant, Blanca. The adjacent Roberta’s Bakery offers fresh pizza for takeout and delivery as well as frozen pizzas and a variety of fresh baked goods, naturally leavened breads, and retail merchandise.
PLATFORM is the convergence of fashion, culinary talent, and creative companies in the most
dynamic neighborhood in Los Angeles, Hayden Tract. A community of independent merchants,
influential chefs, and creative organizations, PLATFORM is a centerpiece for LA’s newest
creative generation. Through edited experiences including popups, installations, and culinary
partnerships, PLATFORM is a destination for all of LA to discover.