Best Of

Best Of

All things must end—that includes 2019. It was the Year of the Pig, the year that we discovered that beer is good for you, cheese can protect you from salt, human bodies can continue to move over a year after death, the Lovers of Modena were men and dolphins are right handed. The climate in SoCal was extraordinary this year—not much humidity, ample rain, ample sunlight and we even experienced an earthquake or two! The Best Picture was Green Book (remember that?), Olivia Coleman won for her performance as Queen Anne then promptly went to work on The Crown as Queen Elizabeth II. The record of the year was Hey, Ma by Ben Iver as music slowly moved to aural epic sounds (especially soundtracks!) With all that in mind, we asked all our editors what stood out for them this year.

Joshua J. Pinkay

-Favorite Album: Scenery – Emily King
Emily King released her third studio album, Scenery, this year and has garnered two Grammy nominations for 2020. The record is a beautifully engineered piece of art that blends Soul, Folk, R&B, and real songwriting to create a melodic masterpiece.
 
-Favorite Restaurant/Meal: K-Town Smash Burger at E!GHT Korean BBQ
E!GHT Korean BBQ introduced their “Smash Burger” to L.A. this year which is an absolutely decadent mix of two pork belly x brisket blend patties, Gochujang Mayo, mozzarella cheese, Seoul slaw, all on a Bolo bun!
 
-Favorite Movie: Avengers: Endgame
This climactic film from the Marvel Cinematic Universe closed what many fans know as the Infinity Saga spanning 23 films worth of characters and connected story lines. It has since gone to break the World record for highest grossing film of all time.
-Favorite TV Show: A Million Little Things (ABC)
ABC launched their critically acclaimed drama series, A Million Little Things, which centers around the interpersonal relationships between friends and their families. The bonds of friendship in this series are tested when this group loses a core member of their lives to suicide, which in turn, unravels a series of questions that will affect how they see and interact with one another for the rest of their lives.
 
-Favorite TV Special:   HΘMΣCΘMING: A Film by Beyoncé
Beyoncé & NETFLIX released this record-breaking documentary that gave fans a closer look at her most iconic performance to date as the headliner for Coachella in 2018. No other artist in the history of Coachella’s existence has used such perfectly executed footage to create a show that has buzzed pop culture to the core and even making social media solidifying it’s impact by aptly creating the name “Beychella” as stamp to its place in history.
 
JOSHUA J. PINKAY is our Senior Editor

Randy Dunbar

Favorite Movie: Pain and Glory by Pedro Almodóvar. It’s a strange observation, but this film about an over-the-hill director connecting to his past is a devastating work of art; more than a film, a poem really to the beauty of survival, memory and how we manage survival. The Other: Once Upon a Time In Hollywood—maybe it was the time itself, but the acting, the memorable scenes (except the last 10 minutes) were powerful reminders of what movies can do.

Favorite TV: Years and Years: Russell T. Davies’ British drama that takes us on a journey with the fascinating and relatable Lyons family over 15 eventful years over only six episodes, and we start in 2019. A drama that had some predications about the future, insight into the nature of love and the endless fascination we all have with family. The Other: Succession—because we all want to think we could live this way.

Tech of the Year—Though no fan of Apple, I broke down and bought the high-end iPhone max—mostly everything stayed the same, but the camera continues to dazzle with a clarity and depth heretofore unseen.

Favorite Hangout: PRANK Bar— a block away from work, great drinks, brunch and company—the vibe is unpretentious cool in a relaxed setting.

Favorite Restaurant: Massilia—to hang with the owners and chef’s of a restaurant always brings a unique perspective to a dining experience, and here, the food was great as we pondered is it French, is it Italian? Located in Santa Monica near the Promenade, Massilia is another epicurean creation from Emmanuel Dossetti, the founder of Zinqué cafe,

Dennis Richardson

 

  1. Favorite Movie: Godzilla: King of Monsters
  2. Favorite Tech: Nintendo Switch
  3. Favorite Drink: Gik Live! Blue Wine
  4. Favorite Grooming/Hygiene Product: Lumē Deodorant
  5. Favorite Restaurant: Mambo International Kitchen

Niki Smart

Best Restaurant: Blair’s in Silverlake

Best Film: Parasite

Best TV Show: Succession (Seasons 1 and 2) and I’m already excited for Season 3 – but I also loved Fleabag and Barry.
 
Best Travel Experience: sitting in the street in San Pancho, Mexico, watching the happy chaos of people, kids, scooters, dogs, cars, bicycles, roosters, and even donkeys passing by.
 
Best Purchase: Solar panels for my house. Now my EV is powered by the sun – woohoo!
 
Best Show in Los Angeles: Scott Nery’s Boobie Trap (go see it!)
 
 
 

Anthony C. Stafford

 

  • Favorite Movie: Captain Marvel
  • Favorite TV Show: The Masked Singer
  • Favorite Shoe Brand: Mobs
  • Favorite Tech: Apple AirPods Pro
  • Favorite Restaurant: Mambo International Kitchen

 

Katie Nartonis

2019 High Desert picks

Favorite desert restaurants:
La Copine, Landers CA
Pappy + Harriets, Pioneertown, CA
29 Palms Inn, Twenty Nine Palms CA
 
High Desert Sites :
Integratron, Landers CA
Noah Purfoy Art Site, Joshua Tree CA
Sculptor Cybele Rowe private Studio Tour, Landers CA

Winter Style

Winter Style

The Art Of Winter Outerwear In A Warmer Climate

SoCal has its own style
These days, people in Southern California are more accustomed than ever to warm winters. Anything much below the low 50s or high 40s is an aberration, and while some LA folks may shiver in 65-degree weather, this still makes for a more comfortable winter than most experience. The interesting thing is squaring this unusually mild season with one of the more fashion-forward and culturally up-to-date regions in the United States. While fashionistas around the world rush to update winter wardrobes with the latest faux-fur coats and sustainably-sourced infinity scarves, you might be sitting outside at a restaurant in a long-sleeved tee! This doesn’t mean winter outerwear isn’t an option in warmer climates though. There’s just a little bit of an art to it. To examine the idea further, for any readers in SoCal, other stylish spots like Austin or Miami, or anywhere else where the winters are warm, we dug into some specific suggestions for seasonal garments. Find A Statement Sleeveless Coat It’s sometimes remarkable in fashion in general how far you can get by thinking just a little bit outside the box. This is certainly true when you’re looking for ways to embrace fall and winter fashions living in a region that doesn’t really get a winter by traditional standards. We actually went back a number of years and found an article on this very topic – winter fashion in warmer climates – that presented some lovely ideas that can still inspire you today. Most notably, a sleeveless camel coat highlighted by Song Of Style stuck out. It’s undeniably, timelessly chic, can be worn with any number of ensembles (the example included a leopard-print skirt underneath), and perfectly suits a warmer winter climate. Lightweight Jackets Are Your Friends A lightweight jacket can be the perfect everyday garment for a mild winter, though it’s sometimes surprisingly hard to find the right one. Often you end up caught between ordinary hoodies and sweatshirts, and heavier coats or down jackets that are warmer than you need. For the current season, the zip-front lightweight twill hooded jacket from Woman Within serves as the perfect picture of an in-between option. It’s described as something to have on hand for “transitional weather” when it’s neither too hot nor too cold, and the brand’s inclusive sizing range can also be a bonus. Something with a little room can be cool and casual for a SoCal winter, and at the same time this jacket will still fit you if you add a few pounds over the season (as so many of us tend to do!). Embrace A Playful Sweatshirt Or Two Since you likely aren’t going to be bulking up with full-fledged winter outerwear, there’s nothing wrong with taking an altogether more casual approach also. This likely won’t be an everyday option like a lightweight jacket might be, but if you find a graphic sweatshirt that speaks to something you love – perhaps a retro sports team look, or one of the Nickelodeon sweatshirts from Love Tribe – it can be just the thing for an average winter day among friends. These basic sweatshirts don’t heat you up too much, and almost always look great with the sleeves pushed up, but will still give you that little bit of added warmth you need. Opt For A Fall Blazer One of the trickiest things about all of this is finding an everyday look if you’re a little bit more fashion-forward. The sleeveless coat option is a very nice look, but not necessarily something for every day of the week; a lightweight jacket can be perfectly stylish, but may not fit in, say, a work environment. And needless to say, a Rugrats sweatshirt has its place! There’s a clear solution here though, and it’s to find a stylish fall blazer or two that can take you right through a mild winter season. A standard black or charcoal option can be dressed up or down and make for an excellent everyday jacket substitute. Though we also can’t help but love the emerald-colored notch collar cotton blend blazer from Gibson that’s popping up in some 2019 collections and write-ups. Find A Cap Or Beret You Love It’s somewhat difficult to take winter fashion beyond light jackets and coats when you live in a warmer area; it’s not as if you’re going to need some cute mittens or a head scarf for the next 55-degree day! That said, a seasonally appropriate alternative to a winter cap or beanie can be a nice touch that works just fine in warmer temperatures. Such an accessory can take all sorts of forms. You might actually find a loosely knit beanie that’s more of a fashion statement than a means of keeping your head warm. If you want to be a little bolder, you might find a suede fedora to pair with certain looks. For some winter staples though, the textured knit “baker boy” cap from Brixton and Hat Attack’s leopard-print beret were a few options that caught our eye. You can go well beyond these suggestions to more fully dive into winter fashion in a warmer region. A light scarf, some classic boots, whatever colors are trending in a given year…. These are all wonderful ways to embrace the season regardless of temperature. But the ideas and suggestions above can help you to really enjoy the seasonal wardrobe update you might be yearning for.

Journey Up the Nile River

Journey Up the Nile River

TRAVEL & LIFESTYLE
July 2019
There are many kinds of vacations—the relaxing, island vacation, the adventuruous trip up the mountains of Peru, the majestic splendor of old churches throughout Europe, and then there is the Middle East. A term coined in 1850s by a British India official, it is composed of 18 countries, 60+ languages and nearly four million people. It is the birthplace of most of the world’s religions and “has been a major center of world affairs; a strategically, economically, politically, culturally, and religiously sensitive area.”

So, let’s just say, it’s not Hawaii.

There are over 200 Nile cruise ships. Many originate in the small town of Aswan, which is down the Nile. This is where our journey begins—after we leave the hustle of Cairo. To get to Aswan you travel by plane or train—driving is not recommended.

An overnight trip to Aswan by an overnight train is a unique experience. The train station in Cairo grows smaller in the distance as we head south on a 549 mile journey. Waking early morning, a rattling train is now alongside the Nile River; a country with a long history that hasn’t seen, in these parts, enormous change: Men still pull carts with cattle, horses carry cane sugar. In one brief moment a dead cow carcass can be seen in a small pond by the side of the road. Time has stood still in these parts.

Aswan is a smaller version of Cairo. To be sure, there is a McDonalds, a Kentucky Fried Chicken, and likely anyday, a Starbucks, but for now, it is a popular city that sits on the Nile, with a substantial amount of river boats.

Aswan is the “Jewel of the Nile”. Pink and grey granite thrusts upward through the Nubian sandstone, forming mountains, cliffs and jagged outcrops. While there countless mosques, there is also Archangel Michael’s Coptic Orthodox Cathedral—a towering catherdral  in the Coptic architecture — the architecture of the Copts, who form the majority of Christians in Egypt.

Security is a way of life in Egypt. In Cairo and in places like the Coptic Church, security runs high. Armed guards and blockades can be found at many hotels and indeed at this Coptic Church. But retail and restaurants flourish in the city of Aswan—it is only until late one after noon on a Friday that the azan, the call to prayer can be heard by countless speakers throughout the city—these callers, called muezzinine, are a cacophony of  sounds—it becomes a surreal moment in a backstreet hotel as the soundtrack shifts, the sun sets, we are surely not in the West anymore.

The river Nile. The view of the river as seen in Aswan.
Photograph by Zuke Oshiro
“What you can expect from a Nile River cruise is the adventure of a lifetime.”
DAY ONE we board the Santuary IV. The Sanctuary Sun Boat IV is a contemporary chic, sleek boat with heavy art deco influences. There are 36 standard cabins, two presidential suites and two royal suites. We are greeted as enter the plank by the entire staff offering refreshments and introductions. We are divided  into groups and assigned an English-speaking tour guide, who will accompany us to the various temples along the way. Afternoon tea will be served. Everynight an activity is planned—tonight, after a gourmet dinner is served, we watch as traditional fokloric music and a “whirling dervish” perform.

As one look about it becomes clear that this journey invites all kinds of people—local Egytians, A London-based Sufi businessman with his family, and elderly couple from Scotland, a couple from Cape Cod, a Brazilan opera singer and her daughter, and Egyptian family with their California-based son-in-law. The staff is attentive, ocassionaly too attentive, but the dinner, which is buffet-style, is a nice start to the this ride up the Nile.

A felucca is a traditional wooden sailing boat used in protected waters of Egypt. Its rig consists of one or two lateen sails.
Photographed by Zuke Oshiro
DAY TWO a large buffet breakfast is served each morning. Groups gather on the first deck and we head out for adventure.  We journey to the majestic Philae Temple on the Island of Agilika. We begin to make friends with some Egytian locals and their California-based relatives. The temples are surreal. Over three thousand years old, the preservation is impressive. We are to dress like and Egyptians for a post-dinner party. We bargain with the locals to buy a “galabeyya”, the traditional Egyptian outfit. Each night, at dinner you are seated in the same place. We are seated next to a Brazilian opera singer and her daughter. The after-dinner party is a chance for everyone to mingle and dance into the wee Egyptian hours. This is the requisite fun of travelling by boat—it’s a small party, you get to know everyone, and their stories.
DAY THREE we set off the visit the Temple of Horus. We begin to understand some aspects of the Egyptian pharoah culture. The mythology is deeply complex. For example Horus, is the sky god and there are two, Horus the Younger and Horus Elder. There is a surprising lack of sexuality in these temples, and everyone is quite fit. The drawings are impeccable and rarely vary in form.

We head to The Temple of Esna. The Temple of Esna, which was buried beneath its own debris for many centuries, is located in the center of the town, close to the River Nile and only a short walk from your boat through the local market. We are given passage by way of carriage. The remains of the Temple contain a hall of columns with 24 pillars beautifully decorated with lotus and palm capitals. Also notable is that while looking up, astrological symbols can be seen, 12 of them.

To suggest that it is overwhelming is an understatement. One has to pinch themselves to remind themselves of the reality—you are in Egypt, in the MIddle East and these are the temples that Hollywood has been in love with for so long.

So that evening, as entertainment, they have set up a projector to show the 1978 film, “Death on the Nile”. This version features Peter Ustinov as Hercule Poirot, the famous Belgian sleuth. Actually filmed along the same route we are on, this two hour and twenty minute film runs late into the Egyptian night—we all retire early for our last day.

DAY FOUR The east and west banks of Luxor. This is the big one, the grandaddy of temples. We’re suddenly seeing more people at these temples.  First stop, Temple of Luxor, dedicated to the god Amun. We have had a change in our tour guide! The people in our group requested a new guide. Welcome Medhat, looking like something out of a central casting for Indiana Jones, he is informative and affable. We move onto the Temple of Karnak.
After lunch, visit the Valley of the Kings or The Great and Majestic Necropolis of the Millions of Years of the Pharaoh, Life, Strength, Health in The West of Thebes, as it was once known. We will have the chance to visit at least one tomb in the Valley of the Queens, and visit the Temple of Queen Hatshepsut. On the way back to the river Nile, you will pass by the famed Colossi of Memnon, known in Ancient Greek times for their haunting voices at dawn.

 

It’s over. We arrive at our final moments on board the Santuary IV — saying goodby the ship is abuzz with activity. Rooms are quickly seen to. We head to the Luxor airport to head back to Cairo. We have made friends. We travel over vast stretches of desert, broken by the sudden appearance of a great lake, which seems to run for miles. We are back in Cairo for 12 hours.

There was something about this trip, that for the well-worn traveler speaks to that ocassional need for danger—not physical danger, but to be somewhere where your native language is foreign, the landscape, the people, the culture is vastly different than anything previously experienced. Bali was one of those places, The Maldives certainly. Cairo, Aswan, Luxor, all spoke to a distance of things known, flavors never tasted, history seen in terms of thousands instead of hundreds. Dangerous? Sure—you’re in the Middle East—you cannot get to Israel easily from Egypt though it is under 500 miles away. But it’s Egypt, it’s Cairo. It’s the Pyramids! It’s everything you ever imagined and more. To be sure, there was a moment, leaving the hustle of Cairo in a taxi and the Pyramids suddenlhy appear in the distance—it’s a moment. Crusing up the Nile via a five star luxury boat, that too, was many moments.

https://www.sanctuaryretreats.com/egypt-holidays

Giant Humanoids Descend Upon DTLA in “Fantastic Planet” at FIGat7th

Giant Humanoids Descend Upon DTLA in “Fantastic Planet” at FIGat7th

Gigantic, startling, illuminated, and altogether breathtaking humanoid figures will descend upon Downtown Los Angeles later this month at the FIGat7th Plaza. The Australian artist Amanda Parer’s latest must-see light installation opens Tuesday, October 30th and will live among us through November 10th.

While seemingly peaceful and ethereal, the figures are also imposing and daring. They seem to display an extraordinary curiosity for their onlookers, just as onlookers are fascinated by them. These giants from above give audiences the impression that they have just landed and are quietly observing us and gently exploring our, you guessed it, “fantastic planet.”

Parer’s edgy artworks explore the natural world and our place within it. As with Parer’s globally successful public art exhibit Intrude, these forms will not be randomly placed sculptures but are strategically placed to give the impression that the giant humanoids have taken over the entire event site and, perhaps, the world.

As Parer describes her work, “I raise questions about our relationship with the natural world. I communicate these themes by use of, scale, light, dark, humour, and drama. In these works, the audiences are enticed with beautiful, mostly invasive (which includes us) or endangered species, enlarged and dominant within their given habitats.”

Parer was inspired by the 1973 Czech/ French film Fantastic Planet (La Planète Sauvage). This stop motion science fiction film was directed by René Laloux and depicts a story set in an unimaginably distant future in a world of gargantuan humanoids where human beings are treated as animals and sometimes even kept as pets. The film was awarded the Grand Prix special jury prize at the 1973 Cannes Film Festival, and in 2016, it was ranked the 36th greatest animated movie ever by Rolling Stone.

In her eerie and surreal installation, Parer lightly touches on the idea of a struggling human race through her Fantastic Planet installation, opening the door for existential questions about our place in today’s world.

While wondrous and life-affirming, Parer’s work also offers jarring examinations into our world today. Fantastic Planet is a sight to behold, but also crackles with emotional and political resonance.

Fantastic Planet will be open daily from 11 a.m. to 11 p.m., and is located at 735 S. Figueroa. The light installation is free and open to the public, and very close to the 7th Street Metro stop. Be sure to stop by, say hello, and welcome them to our City of Angels.

See more of Amanda Parer’s work at Parer Studio and watch a live one minute video of Fantastic Planet below.

—from http://thehollywoodhome.com/

 

While seemingly peaceful and ethereal, the figures are also imposing and daring. They seem to display an extraordinary curiosity for their onlookers, just as onlookers are fascinated by them. These giants from above give audiences the impression that they have just landed and are quietly observing us and gently exploring our, you guessed it, “fantastic planet.”

Mark Your Calendar: Stanley Kubrick

Mark Your Calendar: Stanley Kubrick

 

For those who know him as a filmmaker, Stanley Kubrick’s early career as a photojournalist is a revelation. In 1945, the future director of such classic works as 2001: A Space Odyssey (1968) and A Clockwork Orange (1971) was just a teenager—but one with an uncanny photographic sensibility, who was already scouting human-interest stories for Look magazine. Explore this formative phase in the career of one of the twentieth century’s most influential figures in cinematic history.

Stanley Kubrick (1928–1999) was seventeen when he sold his first photograph to the pictorial magazine Look in 1945. In his photographs, many unpublished, Kubrick trained the camera on his native city, drawing inspiration from the nightclubs, street scenes, and sporting events that made up his first assignments and capturing the pathos of ordinary life with a sophistication that belied his young age. He produced work that was far ahead of his time and focused on themes that would inspire him throughout his creative life. Indeed his photography laid the foundations for his cinematography: he learned through the camera’s lens to be an acute observer of human interactions and to tell stories through images in dynamic sequences.

Through a Different Lens: Stanley Kubrick Photographs is organized by the Museum of the City of New York, drawn from its Look magazine archive, which explores this early and influential work from Kubrick’s formative years. The exhibition follows along as he developed his talent for storytelling and honed his visual style in Look assignments that offer a kaleidoscopic view of city life, from the gritty to the glamorous. In these images of celebrities and everyday people alike, Kubrick revealed the hundreds of human dramas unfolding at any moment.

Through a Different Lens: Stanley Kubrick Photographs was organized by the Museum of the City of New York in collaboration with the SK Film Archives LLC.

For more information and tickets head here

THE SKIRBALL CULTURAL CENTER
The Skirball Cultural Center is an educational institution in Los Angeles, California devoted to sustaining Jewish heritage and American democratic ideals. It has been open to the public since 1996.
 
Address: 2701 N Sepulveda Blvd, Los Angeles, CA 90049

Indian Summer: A Fashion Story

Indian Summer: A Fashion Story

I It’s a hazy shade of late summer— a color, vibrant yet subtle, smooth and alluring, as elegant as a cloud and closing the SoCal summer in style. The cultural relationship to pastels is most often connected with spring because of their association with Easter— pastels have created strong connections with other cultural movements throughout history, too. Pastels were initially known as a chalk-like medium for artists during the Renaissance. In the 17th and 18th centuries, pastel painting became a popular medium with the rise of the Baroque and Rococo styles. During this time, pastels became fashionable in dress because the same frivolity that was the popular taste in art was applied to clothing as well. Marie Antoinette had a proclivity for grand gowns done in pastel silks and laces. In the 20th century, pastels regained popularity during the Roaring Twenties, as flappers turned to the light tones as a response to the seriousness of World War I. Later on, pastels became the calling card of Miami architecture, as art-deco buildings throughout South Beach got a fresh coat of candy-colored paint, reviving the city. Pastels also made an impact on pop culture, with the iconic style of Sonny Crockett on Miami Vice and the art direction of Wes Anderson films, including The Grand Budapest Hotel. That was of course replaced by the chic and eternal, black. But as we all know, fashion comes and goes, so here we are at the backend of Summer looking at the neo-pastels for a summer style extravaganza. Photographed by up-and-coming photographer Christian Acosta, styled by Melissa Tejada, modeled by Danielle Fedder and make-up and hair by Caprice Mitchell. Photographed at the legendary Country Club Studio.

SHOP THE LOOK

RIAN

RIAN

Mini Choker Bag – Clear PVC (Vegan)

Choker Collar (2.5") – Clear PVC

Choker Collar (1.25") – Tan

Choker Cuff (2.5") – Clear PVC

Rita Corset Belt

THE CREW

Christian Acosta – Photographer – @Chrisdnlacosta
Danielle Fedder – Model [email protected]
Melissa Tejada – Stylist [email protected]_
Caprice Mitchell – MUA @primakeupartistry

Second Home comes to Hollywood

Second Home comes to Hollywood

The area of East Hollywood where the current Target is being built, very slowly, has a new neighbor. At night, driving by St. Andrews Place, one imagines a new mid-century modern hotel has moved in, what with the amber lighting and modern hanging lamps, its look like something that might be found in Palm Springs, not between Western Avenue and St. Andrews Place. It is so new that Google maps has not registered it. It opened last Monday, and it’s called Second Home. No, it is not for senior citizens, thought they are certainly welcome. Second Home is the newest “workspace” to slip into the vast SoCal terrain. Like Soho House, Neuehouse, Second Home caters to a sophisticated clientele in search of space, light, and working conditions that bring creative types together. Created by London-based co-founders and co-CEOs Sam Aldenton and Rohan Silva, Second Home is the new campus was designed by Madrid-based architecture firm Selgascano, with Downtown LA-based Omgivning acting as executive architect for the project. A lush landscape of light, 60 circular acrylic pods and foliage, it is simply, surprising that this somewhat off-beat neighborhood should house anything so glamourous. Second home hollywood will be home to 250 organizations and will feature: a branch of second home’s bookshop libreria, a 200-person auditorium, post-production facilities, a restaurant, outdoor terraces, and meeting and event spaces.

For memberships, a tour, information visit https://secondhome.io/hollywood

Address: 1370 N St Andrew’s Place, Los Angeles, CA 90028

 

AND ON THURSDAY, SPETEMBER 19TH

Antoni is the food and wine guru on Netflix’s Emmy Award-winning sensation Queer Eye, and his passion for food is completely irresistible. A television personality, chef, model, and now cookbook author, Antoni is a man of many talents and even more fascinating stories.

During this evening event, guests will get to meet Antoni and taste recipes from his new cookbook, Antoni in the Kitchen (published by HMH Books, on sale September 9).

Antoni in the Kitchen brings together Antoni’s trademark inclusive and accessible attitude to food with one hundred of his all-time favorite recipes.

This cookbook celebrates Antoni’s love for fresh, casual, and healthy cooking, and the occasional indulgent feast, and inspires both newbies and knowledgeable cooks to get back into the kitchen.

The ticket price includes a copy of the cookbook Antoni in the Kitchen and food inspired by his recipes.

FIDM 13th Television Costume Design Exhibit

FIDM 13th Television Costume Design Exhibit

The 13th Art of Television Costume Design exhibition is back this summer for another year of celebrating the artistry of costume designers and their teams. Television’s perpetual evolution through both network and digital platforms gives today’s designers even more opportunity to create bold, memorable characters for a variety of programming. This year’s exhibition will feature a diverse assortment of shows across several genres–science fiction fantasies, contemporary comedies, and historical dramas, to name a few–and as always will include Emmy® Award-nominated programs from the 2018-2019 television season. Look for fan favorites such as Game of Thrones, The Marvelous Mrs. Maisel, and Black-ish, plus discover the latest hits like The Masked Singer and Good Omens,

The exhibition is free to the public and will be held in the FIDM Museum at the Fashion Institute of Design & Merchandising in downtown Los Angeles through Saturday, Oct. 26. Museum hours are 10 a.m. to 5 p.m., Tuesday through Saturday.

For information, visit FIDMmuseum.org.

Generation Z: A Photographic Series By Jennifer Blue

Generation Z: A Photographic Series By Jennifer Blue

AN INTERVIeW WITH Jennifer Blue

The world of Jennifer Blue is teeming with visual ideas—and with her new series, GEN Z, she captures in the most straight-forward manner, the faces of a generation. Her past investigations into image have produced a variety of subjects: Panoptics, Sentient, Hunger, Babe and Pugilists. Her work invariably dances around our notions of documentary, commercial work and art.

What does Gen Z mean to you and what is your relationship to it? I work in the library of a creative college. Recently, overnight, I observed a tsunami of new students wielding a completely different aesthetic and sensibility than their predecessors. Curious, I began to explore these individuals with conversation and camera. At this juncture I believe that Generation Z and myself mutually intrigue and inspire each other.

Shooting in film or digitally? I am shooting this series digitally, in the spirit of the digitally savvy Generation Z.

Is this an ongoing project and will you revisit some individuals as they pass from their Gen Z status? An interesting prospect. Most of my subjects have been captured very spontaneously. Too, the interaction with the subjects, for the most part have been a short-lived, impulsive splash. Yes, I would like to follow through with some of the subjects into the future.

Whose Photographic Work is inspiring you? Rineke Dijkstra

What is photography in the year 2019? I think that most viewers are hyperaware of being manipulated by advertising images. Fatigued with this manipulation, viewers are looking for genuine representations of the diversity of real life in 2019. Observe the increase in nonbinary, non-ageist, non-affluent imagery, due, I think, to the increased appetite for this type of media. 2019 is more of a celebration of documentary rather than commercial photography, in my opinion.

for more BLUE visit https://www.jenniferbluephotography.com/

Mexico: A Love Affair

Mexico: A Love Affair

Frequently, we are asked, “is Mexico safe?”, which is ironic considering…but let’s leave politics for the pundits and facebookers. Mexico is a feast, literally of places to visit. From Los Angeles, Mexico City is a three- and half-hour plane ride costing under $300. Hotels, restaurants, museums abound and are all reasonably priced. The people are extremely friendly. Due to its rich culture and history, Mexico ranks first in the Americas and seventh in the world for number of UNESCO World Heritage Sites. One of those is Miguel San de Allende, located 170 miles from Mexico City, and a 10-hour drive from the US border. While the outlying areas of the town and municipality have changed over time, the historic center remains much as it was 250 years ago. The layout of the center of the city is mostly a straight grid, as was favored by the Spanish during colonial times. However, due to the terrain, many roads are not straight. There are no parking meters, no traffic signals and no fast food restaurants. And we are thankful for that. There are weddings by the hour—initiated by the callejoneada, a wedding parade that’s customary in San Miguel. The parade has a mariachi band and a donkey with Tequila shots. Welcome to Mexico!

We have travelled to the west side of Mexico where you will find Puerto Vallarta — a resort town on Mexico’s Pacific coast, in Jalisco state. It is known for its beaches, water sports and nightlife scene. Its cobblestone center is home to the ornate Nuestra Señora de Guadalupe church, boutique shops and a range of restaurants and bars. El Malecón is a beachside promenade with contemporary sculptures, as well as bars, lounges and nightclubs.  Made famous by American film director John Huston. Even though John Huston had visited the town when it only had a few thousand souls in 1929, while navigating up the Pacific coast on one of his innumerable trips to his beloved Mexico, plus another time while scouting for locations for Typee (a movie he never shot), not much had changed when he came back in the early 1960s with a new movie project, “The Night of the Iguana”, and a location for the set called Mismaloya, tipped off by a local entrepreneur. The small town flourished with tourists, especially Elizabeth Taylor and Richard Burton, who had a house in town where they would fight, drink, make love and make up. This is considered part of the so-called “Mexican Riviera” a term coined by the Princess Cruise Line.

On the other side of the continent is Mayan Rivera. This is a stretch of Caribbean coastline on Mexico’s northeastern Yucatán Peninsula. It’s known for its numerous all-inclusive resorts, such as those in the town of Playa del Carmen, and its long beaches. To the south, Tulum is home to yoga retreats and the preserved ruins of an ancient Mayan port city, perched on an outcrop above a white-sand beach. You could include Cancun, which on the “American side” is about as Las Vegas as a tourist attraction can get. Be warned—you will be dogged and hassled until you relent and enter an establishment. But, if your travel a short distance south, you will come to Playa del Carmen. A party town, this is also where you can get aboard a boat and head to the island of Cozumel. Going further South you will find Tulum—a town that sits on the Carribean Sea. Here, you can experience a cenote — a sinkhole, and there are many. In Tulum, you can experience   the Castillo, or castle, which is perched on the edge of a 12-metre limestone cliff, overlooking the Caribbean coast. Negotiating its steep steps is best done sideways, a fact which will assert itself on the way down. There is something magical about the place, and upon setting foot on the warm white sands of the Carribean, it is hard to not jump into sea. And you will. No matter which coast or inland destination, Mexico provides a unique experience for any traveler.

When we think of Mexico, we think “so much, so close!” Any direction you look, Mexico has offerings like few other countries.

Outfest: STEVEN ARNOLD: HEAVENLY BODIES

Outfest: STEVEN ARNOLD: HEAVENLY BODIES

Steven F. Arnold (1943–1994) Born in Oakland, Ca., he moved to Los Angeles and set up a studio on the bend of Beverly and Virgil. His studio was dark—only when he lite it did you see all the extravangrant props and elements of his photography. In some ways, he felt San Francisco—though every visit to his studio would have someone from the movie business; Ellen Burstyn and Grace Zabriskie were regulars. He shot mostly from a tall ladder looking down. It was the first time I came to realize that a six pack could be created in illusion by painting shadows.  He mastered in tromp l’oei (to deceive the eye) and the creation of photographic tableaus.He was  also a filmmaker,  painter, illustrator, set and costume designer, and assemblage artist.

This Sunday, Outfest presents the documentary about his life.

Angelica Huston narrates this exploration of the spectacularly dreamlike world of Salvador Dali’s protégé and PWA, Steven Arnold, and his strikingly creative and influential body of work filled with occult rituals, Hollywood camp, and surrealist art nouveau whimsy. Taken from more than 70 hours of original and archival footage, including rare scenes of Holly Woodlawn, director Vishnu Dass digs deeply into the decadent countercultural and inspiring life of this unheralded multimedia artist of the queer community.

STEVEN ARNOLD: HEAVENLY BODIES

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