Arthur Elgort: Reverie

Arthur Elgort: Reverie

The Fahey/Klein Gallery is honored to present Reverie, photographs by Arthur Elgort. To celebrate his
long career, this exhibition showcases Elgort’s spontaneous energy through expertly crafted
photographs that have the unforced look of a personal snapshot.
Born in New York City in 1940, Elgort discovered his passion for photography after initially studying
painting at Hunter College. Finding the solitary nature of painting unfulfilling, he turned to photography
and soon found his calling. His early work capturing ballet dancers in motion laid the foundation for his
signature aesthetic: natural, unposed, and full of life. In 1971, his breakthrough came when British
Vogue published one of his images, launching a career that would redefine the industry.
At a time when fashion photography was dominated by rigid, studio-bound compositions, Elgort
introduced a fresh, relaxed perspective. He encouraged models to move freely, embraced natural light,
and brought his subjects into real-world settings—whether bustling city streets, sunlit gardens, or
windswept beaches. His work captured fashion as it was meant to be worn: in motion, alive, and
exuding energy.

“Taking pictures is what I love and I like my subjects to be varied, a little bit of everything – fashion, jazz,
ballet, my kids, landscapes, and even ‘street’ photography. I never want my work to be stuck in one
category. Fashion might be what sells, but a girl on a subway could be fashion, a jazz musician in a club
could be fashion, and a ballerina at the barre could be too. I’ve always like to integrate all of my interests
into my photos and I think that’s reflected in this exhibit of nearly 50 years of my work.”
– Arthur Elgort

Over the past five decades, Arthur Elgort has not only become one of the most celebrated and imitated
photographers in the world, but he has also redefined what fashion photography could be. From his
iconic Vogue covers to his influential luxury-brand campaigns, his images remain as fresh and relevant
today as ever. Reverie offers a rare opportunity to experience the breadth of his vision—a legacy that
continues to inspire and shape the future of photography.

Arthur Elgort:
Reverie
March 6 through May 3, 2025
Exhibition Reception: Thursday, March 6th

Fahey/Klein Gallery  148 N. La Brea Avenue  Los Angeles CA  90036

Tel: 323-934-2250

www.faheykleingallery.com

 

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No Idle View

No Idle View

“A lot of my pictures are confrontational and controlled; they’re not observational or voyeuristic. I aim to create something that is strong, powerful, memorable, interesting and technically correct, not lazy.”
– Albert Watson

All Photos Courtesy of Fahey/Klein Gallery

The Fahey/Klein Gallery is pleased to present No Idle View, Albert Watson’s first solo exhibition with the gallery in thirty years. To celebrate the storied legacy of acclaimed photographer Albert Watson, a
career that began in Los Angeles in the 1970’s, this retrospective exhibition explores Watson’s rich body of work. The photographs on view showcase his distinctive style that is deeply rooted in cinematic sensibility and brings to life moments of stillness and drama that feel as if they exist beyond the frame.
No Idle View will be a combination of well-known images, vintage prints, Polaroids, and previously unexhibited works.
“A lot of my pictures are confrontational and controlled; they’re not observational or voyeuristic. I aim to create something that is strong, powerful, memorable, interesting and technically correct, not lazy.”
– Albert Watson
Born in Edinburgh, Scotland, Albert Watson studied graphic design & film and credits his success as a photographer to this broad visual education. His photographic career began in 1970 after moving to Los
Angeles where he shot beauty advertisements and fashion photography before earning wider acclaim
for his celebrity portraits. His distinctive style captured the eye of many American and European fashion magazines. Watson has shot over 100 covers for Vogue, in addition to publishing images in countless
publications, from Rolling Stone to TIME Magazine and Harper’s Bazaar. Though blind in one eye since birth, Watson is known for his masterful manipulation of contrasts and delicate compositions. He uses the physical traits of the human body to create formal and sculptural images.
Albert Watson has been named one of the 20 most influential photographers of all time along with other luminaries of the medium like Irving Penn and Richard Avedon. His photographs are held in collections of important museums such as the National Portrait Gallery, London; The Metropolitan
Museum of Art, New York; the J. Paul Getty Museum, Los Angeles; and the Smithsonian Institution,
Washington, D.C. He is the recipient of numerous honors, including a Lucie Award, a Grammy Award,
and the Centenary Medal, a lifetime achievement award from the Royal Photographic Society. In 2015,
Queen Elizabeth II awarded him an Order of the British Empire (OBE) for his lifetime contribution to the art of photography. He has also published many books and catalogues, notably the acclaimed
monographs Cyclops (1994) and Kaos

Albert Watson:
No Idle View

November 14, 2024 through January 11, 2025
Exhibition Reception: Thursday, November 14th

Exhibition Walk-through with Albert Watson: Saturday, November 16th

Fahey/Klein Gallery

148 N. La Brea Avenue

Los Angeles CA  90036

Tel: 323-934-2250

www.faheykleingallery.com

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Face the Music: The Legacy of Music Photography

Face the Music: The Legacy of Music Photography

The Fahey/Klein Gallery is pleased to present Face the Music: The Legacy of Music Photography. The exhibition celebrates the enduring legacy of music legends who transcended the boundaries of entertainment to become cultural icons. The curation brings together iconic photographers and musicians, from the forties to today, showcasing how their collaborative artistry captured and shaped the cultural zeitgeist of their respective eras. These artists not only created memorable music but also challenged societal norms, sparked significant movements, and mirrored the changes within society visible in the emblematic photographs on display.

FACE THE MUSIC

The Legacy of Music Photography

July 25 – September 7, 2024

Visitors will journey through different eras each marked by the distinctive contributions of music legends including The Beatles, Billie Holiday, Elvis Presley, Dizzy Gillespie, Diana Ross, Tupac Shakur, Elton John, Nirvana, Gloria Estefan, Harry Styles, and Cher among many more.

Jim Marshall’s famous photo of Johnny Cash flipping the bird at Folsom Prison captures the rebellious spirit and raw authenticity of Cash’s persona, solidifying its place as an iconic image in music history. Randee St. Nicholas and Frank Ockenfels 3 were long time artistic collaborators and friends with Prince and David Bowie respectively, creating the unique opportunity for genuine representation of the musician rather than photographic interpretation. Ray Charles’ larger-than-life energy is palpable in Steve Schapiro’s portrait of Charles laughing in a board room filled with dour businessmen. Janette Beckman’s portrait of Run DMC in Queens represents a shift in hip-hop, where a group could come from a working-class neighborhood and rap about their lives, offering different stories from the groups coming out of the Bronx. Mark Seliger’s legacy of music photography continues with his portrait of Jon Batiste, a trailblazer in contemporary American music who continually pushes the boundaries of the medium.

Face the Music is more than a celebration of musical talent; it is a tribute to the power of music to connect people across generations through the shared viewing of iconic photographs. The exhibition features work by David Bailey, Janette Beckman, Harry Benson, Brad Branson, William Claxton, Patrick Demarchelier, Timothy Duffy, Greg Gorman, Nadav Kander, Daniel Kramer, Herman Leonard, Christopher Makos, Jim Marshall, Fred W. McDarrah, Alasdair McLellan, Frank Ockenfels 3, Estevan Oriol, Lyle Owerko, Herb Ritts, Matthew Rolston, Steve Schapiro, Norman Seeff, Mark Seliger, Randee St. Nicholas, Phil Stern, Alex Stoddard, Art Streiber, Bruce Talamon, Albert Watson, Bruce Weber, Alfred Wertheimer, Dan Winters, Ernest C. Withers, and Magdalena Wosinska.

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Male Edition: The Art of Men’s Style

Male Edition: The Art of Men’s Style

As the age of photography enters into the  new era of AI, Fahey/Klein takes a look back at some of the most iconic images of men of style with a new group exhibit this week.

If you have never been to opening night at Fahey/Klein, drag out the finery and get ready to see and be seen.

The Fahey/Klein Gallery is pleased to present, Male Edition: The Art of Men’s Style. The photographs on display take the viewer through the varying ways personal style has been utilized in the expression of self-identity, with images spanning from the early 20th Century through the 21st Century. This group exhibition features (33) photographers with works celebrating male cultural icons, periods in history emblematic of men’s clothing, and figures with lasting influence on style today. Male Edition: The Art of Men’s Style will showcase genres and identities in culture through music, cinema, and the visual arts.

Male Edition: The Art of Men’s Style celebrates and documents the evolution of men’s style through iconic works by some of photography’s most notable artists, and the clothing that has defined the male esthetic – reveling in images of rakish style, eccentrics, and the flamboyance of self-expression. These photographs emphasize that clothes and adornments are the reflection of the individual who dons them and makes them their own.

The early 20th Century is synonymous with the rise of the “modern man”. Icons like Jazz musician, Dexter Gordon, who effortlessly combined dapper fashion with musical prowess, embodied the spirit of the time – as illustrated in Herman Leonard’s portrait. Moving forward, the rebellious spirit of the 1950’s gave way to the greaser subculture. Figures like James Dean, photographed by Phil Stern, with his relaxed posture and confident gaze became a symbol of rebellion and effortless cool. The 1960’s witnessed a revolution in numerous ways, propelled by music and cultural reckonings. Steve Schapiro’s photograph of “Hippie with ‘Love’ Hat, Haight Ashbury, San Francisco” is a glimpse into the explosive evolution in style that gave way to playful experimentation. Meanwhile, the punk movement of the 1970’s and 1980’s injected a fierce and rebellious energy into the collective zeitgeist. The likes of Billy Idol, captured by Janette Beckman, with his leather jacket adorned with pins and spikes, became a symbol of nonconformity and individuality. Fast-forward to the present day, we find common touch stones of style borrowed and repurposed to embrace and define unique idiosyncrasies – regardless of gender identity.

Male Edition: The Art of Men’s Style features photographs by Bernice Abbott, Ruven Afanador, Miles Aldridge, Janette Beckman, Tom Bianchi, Brad Branson, William Claxton, Edward S. Curtis, Greg Gorman, Bob Gruen, George Hoyningen-Huene, Billy & Hells, Paul Jasmin, Annie Leibovitz, Herman Leonard, Alexander Liberman, Herbert List, Christopher Makos, Gered Mankowitz, Terry O’Neill, Irving Penn, Herb Ritts, Steve Schapiro, Norman Seeff, Mark Seliger, Paul Solberg, Randee St. Nicholas, Phil Stern, Agnes Varda, Ellen von Unwerth, Bruce Weber, Alfred Werthimer, and Dan Winters.

Male Edition: The Art of Men’s Style features photographs by Bernice Abbott, Ruven Afanador, Miles Aldridge, Janette Beckman, Tom Bianchi, Brad Branson, William Claxton, Edward S. Curtis, Greg Gorman, Bob Gruen, George Hoyningen-Huene, Billy & Hells, Paul Jasmin, Annie Leibovitz, Herman Leonard, Alexander Liberman, Herbert List, Christopher Makos, Gered Mankowitz, Terry O’Neill, Irving Penn, Herb Ritts, Steve Schapiro, Norman Seeff, Mark Seliger, Paul Solberg, Randee St. Nicholas, Phil Stern, Agnes Varda, Ellen von Unwerth, Bruce Weber, Alfred Werthimer, and Dan Winters.

On view: June 15, 2023 – July 29, 2023

What: Male Edition: The Art of Men’s Style 
Where: The Fahey/Klein Gallery, 148 North La Brea Ave., LA 90036
When: Thursday, June 15, 2023, 7:00 – 9:00pm
Website: http://www.faheykleingallery.com

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The View from Here

The View from Here

 

The view is one from the eyes of a crane operator—high above the construction of the new LACMA new building, bridging the North & South campuses over Wilshire Blvd , construction well underway.” A job not for all, but the views are spectacular.

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