Male Edition: The Art of Men’s Style

Male Edition: The Art of Men’s Style

As the age of photography enters into the  new era of AI, Fahey/Klein takes a look back at some of the most iconic images of men of style with a new group exhibit this week.

If you have never been to opening night at Fahey/Klein, drag out the finery and get ready to see and be seen.

The Fahey/Klein Gallery is pleased to present, Male Edition: The Art of Men’s Style. The photographs on display take the viewer through the varying ways personal style has been utilized in the expression of self-identity, with images spanning from the early 20th Century through the 21st Century. This group exhibition features (33) photographers with works celebrating male cultural icons, periods in history emblematic of men’s clothing, and figures with lasting influence on style today. Male Edition: The Art of Men’s Style will showcase genres and identities in culture through music, cinema, and the visual arts.

Male Edition: The Art of Men’s Style celebrates and documents the evolution of men’s style through iconic works by some of photography’s most notable artists, and the clothing that has defined the male esthetic – reveling in images of rakish style, eccentrics, and the flamboyance of self-expression. These photographs emphasize that clothes and adornments are the reflection of the individual who dons them and makes them their own.

The early 20th Century is synonymous with the rise of the “modern man”. Icons like Jazz musician, Dexter Gordon, who effortlessly combined dapper fashion with musical prowess, embodied the spirit of the time – as illustrated in Herman Leonard’s portrait. Moving forward, the rebellious spirit of the 1950’s gave way to the greaser subculture. Figures like James Dean, photographed by Phil Stern, with his relaxed posture and confident gaze became a symbol of rebellion and effortless cool. The 1960’s witnessed a revolution in numerous ways, propelled by music and cultural reckonings. Steve Schapiro’s photograph of “Hippie with ‘Love’ Hat, Haight Ashbury, San Francisco” is a glimpse into the explosive evolution in style that gave way to playful experimentation. Meanwhile, the punk movement of the 1970’s and 1980’s injected a fierce and rebellious energy into the collective zeitgeist. The likes of Billy Idol, captured by Janette Beckman, with his leather jacket adorned with pins and spikes, became a symbol of nonconformity and individuality. Fast-forward to the present day, we find common touch stones of style borrowed and repurposed to embrace and define unique idiosyncrasies – regardless of gender identity.

Male Edition: The Art of Men’s Style features photographs by Bernice Abbott, Ruven Afanador, Miles Aldridge, Janette Beckman, Tom Bianchi, Brad Branson, William Claxton, Edward S. Curtis, Greg Gorman, Bob Gruen, George Hoyningen-Huene, Billy & Hells, Paul Jasmin, Annie Leibovitz, Herman Leonard, Alexander Liberman, Herbert List, Christopher Makos, Gered Mankowitz, Terry O’Neill, Irving Penn, Herb Ritts, Steve Schapiro, Norman Seeff, Mark Seliger, Paul Solberg, Randee St. Nicholas, Phil Stern, Agnes Varda, Ellen von Unwerth, Bruce Weber, Alfred Werthimer, and Dan Winters.

Male Edition: The Art of Men’s Style features photographs by Bernice Abbott, Ruven Afanador, Miles Aldridge, Janette Beckman, Tom Bianchi, Brad Branson, William Claxton, Edward S. Curtis, Greg Gorman, Bob Gruen, George Hoyningen-Huene, Billy & Hells, Paul Jasmin, Annie Leibovitz, Herman Leonard, Alexander Liberman, Herbert List, Christopher Makos, Gered Mankowitz, Terry O’Neill, Irving Penn, Herb Ritts, Steve Schapiro, Norman Seeff, Mark Seliger, Paul Solberg, Randee St. Nicholas, Phil Stern, Agnes Varda, Ellen von Unwerth, Bruce Weber, Alfred Werthimer, and Dan Winters.

On view: June 15, 2023 – July 29, 2023

What: Male Edition: The Art of Men’s Style 
Where: The Fahey/Klein Gallery, 148 North La Brea Ave., LA 90036
When: Thursday, June 15, 2023, 7:00 – 9:00pm
Website: http://www.faheykleingallery.com

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The View from Here

The View from Here

 

The view is one from the eyes of a crane operator—high above the construction of the new LACMA new building, bridging the North & South campuses over Wilshire Blvd , construction well underway.” A job not for all, but the views are spectacular.

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Never-Before-Exhibited Collection of Rare Warhol Photographs

Never-Before-Exhibited Collection of Rare Warhol Photographs

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Lost Angeles: The Photography of  Paul Jasmin

Lost Angeles: The Photography of Paul Jasmin

It is with great pleasure that the Fahey/Klein Gallery announces the new exhibition dates for Paul Jasmin: Lost Angeles, a selection of works celebrating Jasmin’s long career and the gallery’s first exhibition by the legendary Los Angeles photographer.

Paul Jasmin’s photographs are a dreamy tableau that takes the viewer on a journey of seductive beauty and erotic ennui. Lost Angeles highlights the last 50 years Jasmin has spent photographing L.A.’s young dreamers. Jasmin’s images eloquently mirror the mythology of the city in the vulnerability and intangible cool of his subjects. There is life in his portraits of smiling girls and strong and frail men – and the never fading love for the Los Angeles street scenes. There is a nostalgic myth of a splendid and ideal aesthetic, stopped and caught forever.

“Each one reminds me of a time in my life, a place or a person,” Jasmin explains. “The old and the new.”

Paul Jasmin has had a long career as a fashion and art photographer. He was born in Helena, Montana and in 1954 left to begin an incredible journey that would take him to Paris, Morocco, New York, and eventually “the city of dreams”, Los Angeles. Paul had been an illustrator, a painter, and an actor before picking up a camera – at the urging of his friend, Bruce Weber.

Jasmin’s images of real and imagined dreamers evoke a sensual and glamorous ideal while firmly rooted in reality. His Editorial work appears in Vogue, Teen Vogue, GQ, Details, V Magazine, V Man, Vogue Hommes, W, Nylon, Interview, Mr. Porter, APC, Ron Herman, Bergdorf Goodman, Saks, and Nordstrom. Paul Jasmin lives and works in Los Angeles where he teaches at the Art Center College of Design in Pasadena, California. Paul Jasmin’s photography books include the much-acclaimed Hollywood Cowboy (2002) and its follow up, Lost Angeles (2004). In December 2010, Steidl/7l published Paul’s third book, California Dreaming.

September 24, 2020 through December 31, 2020

Opening Reception – *By Appointment Only*

Thursday, September 24, 2020, 10am – 5pm

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Portfolio: Don Saban

Portfolio: Don Saban

Don Saban knows LA; he’s photographed it for a long time yielding images that are difficult to pin down in time. In fact, his eye for details found in Los Angeles create a visual proposition that they could be places found in Europe. His works has range—deep, black and white, to the new mundanity of color found in Uber scooters in a line. What is always apparent is his unfailing eye for the art of photography—his images rise above the ubiquituous cell phone portrayals and lead us in and back into a time when photography had meaning.

 
 
At what age and was there anything in particular that compelled you to pick up a camera and make it a career?
I was in grade school, and I can’t remember exactly what age I was, but very young… always the family photographer, so I guess that’s where it all started. I never really quit making photographs, and continued on with my first class in photography my junior year in high school, where I got very serious about it and made the decision that this is what I would do in life, and as time went on, nothing else captured my imagination or interest…so it was decided!
 It’s 2020—what is the state of photography in a digital world?
It just keeps getting better and better, and the printers as well. It has allowed me to do things I could only dream of back in the old film and darkroom days. That all seems so antiquated now, which in a certain sense, it is. With the advent of digital technology, it has inspired me immensely, and now allows me to do things I could never do before, so in a sense, the technology has finally caught up with my vision.
… on that note, what is your best method of advertising your work—instagram, twitter, etc?
I’m very active on Facebook and Instagram. I was posting a lot of my work on Flickr until it changed and is no longer unlimited for free accounts. I hit the limit for that a very long time ago, so I don’t really post there anymore. I also have websites of all the different bodies of work, which includes my video work, and can be seen here at the master site: http://donsaban.com/index.html
The Los Angeles project, how long have you been working on these images?
I think at least going on 20 years.

 

What photographers do you admire, living or dead that inspire you?
George Hoyningen-Huene, Horst P. Horst, Cecil Beaton, George Hurrell, and Vivian Maier to name a few…oh, there are so many, and I like them all for different reasons. I’m so glad you didn’t asked which is my favorite. How could I ever decide!
Is there a photographer that you mentor, and feel they are going places?
As you know, I’ve photographed a lot of jazz musicians over the years, and was introduced to a young lady who is just starting out by a mutual friend. I’ve sort have taken her under my wing and I’m passing along my knowledge of performance photography. She has a great eye, so I’m mostly helping with all the technical aspect of low light photography, and editing in Photoshop and Lightroom. She’s a very quick study, which makes it enjoyable to share what I know.

MEET THE PHOTOGRAPHER: DON SABAN

Don Saban, a native of Phoenix Arizona, received his formal training at the prestigious Brooks Institute of Photography in Santa Barbara, and simultaneously was a private student and studied art and photography as protege of professor William A. Rohrback, University of California Santa Barbara, who was a student of Minor White at Berkeley in the early 50’s. Saban stayed on in Santa Barbara after finishing his studies and was a member of the Santa Barbara Museum of Art Photography Committee. During his tenure in Santa Barbara, he was one of the first photographers to be in Art Life magazine and was the first photographer to be on the cover.

After coming to Los Angeles, he taught at Otis/Parsons and continued his photographic work which was published in numerous magazines. After 10 years in Los Angeles, Saban accepted the position of Principal Photographer at the University of California Santa Barbara. During that period, he was commissioned by the Santa Barbara Museum of Art to go to Budapest and do the photographs for the book, Standing in the Tempest: Painters of the Hungarian Avant-Garde. Saban then returned to Los Angeles once again, and in 1999 was brought on board as photography consultant to work on the Tokyo DisneySea project. Saban found a new home with the Walt Disney Imagineers, and 21 years later, is still providing photographic expertise and working closely with the team on all their projects. Saban continues to exhibit his work, and has had many one man and group shows, has appeared in books, magazines and various publications, and is in private and public art collections both nationally and worldwide.

 

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