Mark Your Calendar: Stanley Kubrick

Mark Your Calendar: Stanley Kubrick

 

For those who know him as a filmmaker, Stanley Kubrick’s early career as a photojournalist is a revelation. In 1945, the future director of such classic works as 2001: A Space Odyssey (1968) and A Clockwork Orange (1971) was just a teenager—but one with an uncanny photographic sensibility, who was already scouting human-interest stories for Look magazine. Explore this formative phase in the career of one of the twentieth century’s most influential figures in cinematic history.

Stanley Kubrick (1928–1999) was seventeen when he sold his first photograph to the pictorial magazine Look in 1945. In his photographs, many unpublished, Kubrick trained the camera on his native city, drawing inspiration from the nightclubs, street scenes, and sporting events that made up his first assignments and capturing the pathos of ordinary life with a sophistication that belied his young age. He produced work that was far ahead of his time and focused on themes that would inspire him throughout his creative life. Indeed his photography laid the foundations for his cinematography: he learned through the camera’s lens to be an acute observer of human interactions and to tell stories through images in dynamic sequences.

Through a Different Lens: Stanley Kubrick Photographs is organized by the Museum of the City of New York, drawn from its Look magazine archive, which explores this early and influential work from Kubrick’s formative years. The exhibition follows along as he developed his talent for storytelling and honed his visual style in Look assignments that offer a kaleidoscopic view of city life, from the gritty to the glamorous. In these images of celebrities and everyday people alike, Kubrick revealed the hundreds of human dramas unfolding at any moment.

Through a Different Lens: Stanley Kubrick Photographs was organized by the Museum of the City of New York in collaboration with the SK Film Archives LLC.

For more information and tickets head here

THE SKIRBALL CULTURAL CENTER
The Skirball Cultural Center is an educational institution in Los Angeles, California devoted to sustaining Jewish heritage and American democratic ideals. It has been open to the public since 1996.
 
Address: 2701 N Sepulveda Blvd, Los Angeles, CA 90049

Generation Z: A Photographic Series By Jennifer Blue

Generation Z: A Photographic Series By Jennifer Blue

AN INTERVIeW WITH Jennifer Blue

The world of Jennifer Blue is teeming with visual ideas—and with her new series, GEN Z, she captures in the most straight-forward manner, the faces of a generation. Her past investigations into image have produced a variety of subjects: Panoptics, Sentient, Hunger, Babe and Pugilists. Her work invariably dances around our notions of documentary, commercial work and art.

What does Gen Z mean to you and what is your relationship to it? I work in the library of a creative college. Recently, overnight, I observed a tsunami of new students wielding a completely different aesthetic and sensibility than their predecessors. Curious, I began to explore these individuals with conversation and camera. At this juncture I believe that Generation Z and myself mutually intrigue and inspire each other.

Shooting in film or digitally? I am shooting this series digitally, in the spirit of the digitally savvy Generation Z.

Is this an ongoing project and will you revisit some individuals as they pass from their Gen Z status? An interesting prospect. Most of my subjects have been captured very spontaneously. Too, the interaction with the subjects, for the most part have been a short-lived, impulsive splash. Yes, I would like to follow through with some of the subjects into the future.

Whose Photographic Work is inspiring you? Rineke Dijkstra

What is photography in the year 2019? I think that most viewers are hyperaware of being manipulated by advertising images. Fatigued with this manipulation, viewers are looking for genuine representations of the diversity of real life in 2019. Observe the increase in nonbinary, non-ageist, non-affluent imagery, due, I think, to the increased appetite for this type of media. 2019 is more of a celebration of documentary rather than commercial photography, in my opinion.

for more BLUE visit https://www.jenniferbluephotography.com/

HERBERT LIST: Young Men & Still Lifes

HERBERT LIST: Young Men & Still Lifes

 

 

 
The Fahey/Klein Gallery is pleased to present Young Men & Still Lifes by German photographer, Herbert List — The first exhibition of his legendary homoerotic male nudes in Los Angeles in over 25 years. List’s playful but austere, classically arranged compositions taken in Italy and Greece have become an indelible influence in modern and contemporary photography. Diary-like images of friends and still lives with found objects gave birth to a style that half a century later would influence fashion or lifestyle photography of masters like Bruce Weber or Herb Ritts.
 
Herbert List (1903 -1975) was born into a prosperous Hamburg merchant family and began an apprenticeship at a Heidelberg coffee dealer in 1921 while studying literature and art history at Heidelberg University. During travels for the coffee business between 1924-28, the young List began to take photographs, almost without any pretensions to art.
 
In 1930, though, his artistic leanings and connections to the European avant-garde brought him together with the American photographer Andreas Feininger, who introduced his new friend to the Rolleiflex, a more sophisticated camera that allowed a deliberate composition of images. Under the dual influence of the surrealist movement on the one hand, and of Bauhaus artists on the other, List photographed still life and his friends, developing his style. He has described his images as “composed visions where [my] arrangements try to capture the magical essence inhabiting and animating the world of appearances.”
 
After leaving Germany in 1936 in response to the danger of Nazi police attention to his openly gay lifestyle and his Jewish heritage, he turned his hobby into a profession. Working in Paris and London, he met George Hoyningen-Huene, who referred him to “Harper’s Bazaar”. Dissatisfied with the challenges of fashion photography and hired models, List instead focused on composing still lifes. The images produced there would later be compared to the paintings of Max Ernst and Giorgio de Chirico, and paved the way for List’s role as the most prominent photographer of the Fotografia Metafisica style.
 
Greece became List’s primary interest from 1937 to 1939. After his first visit to the antique temples, sculptures and landscapes, his first solo show opened in Paris in the summer of 1937. Publications in Life, Photographie, Verve and Harper’s Bazaar followed, and List began work on his first book, Licht über Hellas, which wasn’t published until 1953.
 
Working in Athens, List hoped to escape the war but was forced by invading troops to return to Germany in 1941. Because of his Jewish background, he was forbidden to publish or work officially in Germany. Several works, stored in a hotel in Paris, have been lost. In 1944 List was deployed by the German Wehrmacht to Norway where he served as a map archivist.
 
In 1951, List met Robert Capa, who convinced him to work as a contributor to Magnum. He turned his interest towards Italy from 1950 to 1961, photographing everything from street scenes to contemplative photo-essays, from architectural views to portraits of international artists living in Italy. He discovered the 35mm camera and the telephoto lens in 1953. His work became more spontaneous and was influenced by his Magnum colleague Henri Cartier-Bresson and the Italian Neo-Realism film movement.
 
Herbert List, Young Men & Still Lifes
June 27 through August 31, 2019
Opening Reception
May 27, 7 – 9pm
148 North La Brea Avenue
90036

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