by Randy Dunbar
Guillermo del Toro’s Frankenstein is a triumph of mood, imagination, and emotional depth. Every frame bears his unmistakable signature: lush Gothic design, shadowed beauty, and a sense of wonder tinged with sorrow. The film’s world feels both mythic and painfully human, a perfect match for Mary Shelley’s timeless story of ambition and loss.
Visuals & atmosphere
Del Toro’s signature flair is everywhere. The set-design, the costumes, the lighting—everything ooze Gothic grandeur and artistry. As one critic observed, the film is “a breathtaking coup … rich and strange” in its execution. The world of Victor Frankenstein and his creation is richly rendered, with a tactile sense of period, myth and menace.
Empathy for the monster
One of the strongest elements is how the creature is portrayed—not just as a horror icon but as a deeply felt being with a tragic arc. As noted: “Del Toro’s empathy for the Creature is total—and so, owing to the aching poignancy and underlying rage … is ours.” Actor Jacob Elordi gives the monster a vulnerability and presence that earn memorable space alongside the spectacle. On the other side, Oscar Isaac’s Victor Frankenstein is compelling—his obsessive ambition, his guilt and his horror all play out on a grand scale. He verges on the unlikable as it appears he is a sadist at best. The reason, it appears is that the monster can utter only one word, his name and for him, that is not enough. Bad parent.
Actors and Acting
The very tall Jacob Elordi brings a great range of emotion to the role. Movement and gesture are the hallmarks of this performance. The venerable British actor, David Bradley (you’ve seen him in Harry Potter and he presided over the infamous Red Wedding in Game of Thrones) brings a subtle but great performance as the blind man. The same can be said for Lars Mikkelsen as Captain Anderson, a performance that is measured but impactful.
Thematic ambition & emotional stakes
Del Toro moves beyond mere monster-movie tropes, engaging with themes of creation and responsibility, parent/child dynamics, isolation, and the cost of hubris. One review says the film “becomes genuinely transcendent… a gothic elegy for both creator and creation.” The shifts in viewpoint—from creator to creature—add emotional complexity and bring a fresh dimension to the familiar tale.
What doesn’t fully land
Pacing & structure
While much of the film mesmerises, the opening act is sometimes considered over-stuffed or slow. Several critics suggest the movie takes its time (and sometimes too much time) building the world before the more compelling arc takes over. At roughly 2½ hours, some viewers feel the narrative weight could have been trimmed in places. The movie for some begins when the so-called monster is born. The Victor Frankenstein backstory is interesting until it becomes clear he is not quote sound — an unrelenting ego.
Tone and balance
There are moments where the film sometimes tilts toward excess: visual spectacle overshadowing intimacy, or structure shifting gears in ways that feel a bit uneven. A review from TIME puts it this way: “Grand, but it’s not quite great” because the scope threatens to dilute the emotional core. Also, while many welcome the more humanised monster, purists of the original may find some of the thematic/re-contextual changes jarring.
My verdict
In total, del Toro’s Frankenstein is a major achievement. It may not be flawless, but it succeeds in reviving a classic tale with style, depth and sincerity. For fans of him or of the Gothic, it will be richly satisfying. The acting is superb as are the costumes and the art direction, with the one exception of the bad CGI wolves.





by Randy Dunbar
Travel had become burdensome: airports, luggage fees, crowded airplane seats, long flights, bad food. But, it was the way to get from place to another. So you pack the bags, find your seat and head into the skies for things less known. First stop was Hong Kong, still one of the most visually compelling cities in the world. It was their National China Day holiday so everything was more crowded than usual. But we arrived. And so it began. After a week in Hong Kong it was time to visit Japan. It was October and we planned on visiting Osaka, Kyoto, Sapporo and Tokyo. Here are the observations:
Japan stands apart from most places in the world — its food, culture, and way of life are strikingly unique. It’s also a country that excels in technology, transportation, and etiquette.
We dashed to Osaka from Hong Kong (more on that later) and settled into a small local neighborhood near the train station. It was unseasonably warm, and many people — especially the elderly — were out on their bicycles, heading to markets.
Osaka is known for its food, energy, and humor. It’s often called Japan’s “kitchen” because of its street food — takoyaki (octopus balls), okonomiyaki (savory pancakes), and kushikatsu (fried skewers). The city has a loud, friendly vibe that contrasts with Tokyo’s formality.
Overall, Japan seems to have more restaurants per block than just about anywhere.
Our first night, our host invited us to an exclusive evening at Gucci Giardino. Opened in Umeda, Osaka, in November 2024, it’s the second Gucci bar in the world — the first being in Florence, Italy.
We’re greeted at the door and escorted upstairs to a swank, intimate bar. Our bartender, Mari Tsujimura, spoils us with bespoke cocktails. In time, we’re joined by Chef Taffarello Alessio, who presents refined dishes — elegant, thoughtful, and unmistakably Italian.
The atmosphere is relaxed, inviting conversation and friendly exchanges, even within the limitations of language. When we leave, we’re literally walked to the door, bowed to, and thanked — a gesture of hospitality that feels both formal and heartfelt. We step out into the balmy Osaka night.
The next day, we head out on the bullet train to Kyoto.
Kyoto is known as the cultural heart of Japan — a city where over a thousand years of history, art, and tradition are beautifully preserved. Once Japan’s imperial capital (794–1868), it remains one of the most enchanting cities in the world.
Our destination is the Gion District, Kyoto’s most famous and historic neighborhood, known as the city’s traditional geisha quarter. It’s a place where old Kyoto’s charm still thrives — narrow cobblestone streets, wooden machiya (townhouses), lantern-lit teahouses, and an atmosphere that feels centuries old.
And it is stunning.
Maybe it’s because it’s autumn, or because it’s late afternoon, but Gion feels like a living postcard — calm, perfectly lit, touched by history. There’s a sense of quiet art direction in everything: the colors, the scents, the soft shuffle of sandals on stone. Every now and then, you glimpse a geisha walking gracefully to work, and time seems to pause.
Kyoto is a city of shrines and temples — about 400 Shinto shrines and more than a thousand Buddhist temples. The most famous is Fushimi Inari Taisha, known for its thousands of red torii gates. It’s also where you’ll find thousands of tourists. If you’re hoping for a serene photograph beneath the gates, patience (or luck) will be required.
Kyoto is also celebrated for Kyo-ryori, a cuisine that emphasizes subtle flavors and seasonal ingredients. But on this night, we opt for something local to our neighborhood — a small Italian restaurant called Il Tobanchi, a creative bar tucked inside a renovated machiya on Sanjo Ogawa.
The owner, chef, and all-around fun host is Toba, who serves a delightful mix of Japanese-Italian dishes. His wife and pet dog sit next to us, engaging in lively conversation about Kyoto, his family, and Japanese cuisine. We learn that Toba was actually born on this property and that his parents live in the back.
In many ways, Kyoto represents a part of Japan defined by quiet beauty, calm, and culture. The few days spent here are like postcards — vastly different from Osaka and especially Tokyo.
We head back to Osaka on the bullet train.
The trains in Japan are fast and efficient, but not particularly eventful. If you have a reserved seat, you simply take it and stay there for the duration. There’s no food car, but a woman with a food cart strolls by every so often. The kōmuin, or conductor, also passes through each car, and it’s worth noting that in Japan, as they enter and exit, they slightly bow.
Japan itself is an exercise in cleanliness. Japanese culture emphasizes personal hygiene, and washing after using the toilet is considered much cleaner than using only toilet paper. Japanese companies like Toto pioneered the “washlet” — a high-tech toilet with integrated bidet functions — in the 1980s. These became popular because they combined comfort, hygiene, and convenience. The washlet, or bidet, is now ubiquitous. You’ll find them in train stations and department stores — pristine, spotless, and immaculate — and, of course, in most homes.
This sense of cleanliness also extends to the gym experience in Japan. When you enter the locker room, you’re required to remove your shoes. You walk barefoot, but if you need to use the restroom, you’re offered public slippers. Once you return to the workout area, you put your shoes back on. But wait, there’s more: at every workout station, there’s a disinfectant bottle and rag to wipe down the equipment when you’re finished.
Much of this mindfulness stems from Japan’s population and culture. With 125 million people, it’s one of the most densely populated countries in the world. The nation is roughly the size of California, yet every inch feels considered. Cars tend to be small and boxy, apartments compact, and people — as a culture — remarkably in tune with one another.





by Niki Smart
WHAT: 48th Annual Turkey Trot
Celebrate the holiday season with Dana Point Harbor Partners (DPHP) and the local Dana Point community as the 48th Annual Turkey Trot returns on Thanksgiving Day, November 27. One of the nation’s largest and most scenic turkey trots, this beloved coastal race welcomes more than ten thousand participants each year.
Hosted by the Dana Point Chamber of Commerce and sponsored by DPHP, this USA Track & Field-certified event offers multiple options for participants, welcoming all ages and skill levels. Runners and walkers can choose from a 5k, 10k, combo 15k or the kids’ 1-mile gobble wobble, all leading participants through the scenic Dana Point Harbor. Registration includes a commemorative t-shirt, finisher medal, race bib with timed results, and a virtual goody bag with exclusive offers from local businesses. Participants will also enjoy plenty of photo ops, a costume contest, health & fitness expo, and more. Learn more and register at TurkeyTrot.com. Races will sell out.
“Dana Point Harbor has long been a place where friends, families and the community gather to create lasting holiday memories, and this year is no exception,” said Bryon Ward, President of Burnham-Ward Properties and partner of Dana Point Harbor Partners. “Dana Point Harbor Partners is proud to help carry on this tradition by supporting the 48th annual Turkey Trot, an event that embodies the spirit of the season and brings our incredible community together.”
The Dana Point Turkey Trot has raised over half a million dollars for local nonprofits since its inception, with proceeds from the race continuing to support charitable causes. The 2025 local beneficiaries include Dana Point Women’s Club / Project Foster, Dana Point Historical Society, and YMCA of Orange County. For a pre-race pick-me-up, swing by Coco Bloom Coffee for caffeine staples and seasonal favorites like the Pumpkin White Mocha. After the race, participants and spectators can indulge in a variety of dining options with Thanksgiving specials throughout Dana Point Harbor. Perfect for those who live by the Turkey Trot motto: “Run the Race Before You Stuff Your Face!”
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Gemmell’s Restaurant, 12P-6P, 3-Course Thanksgiving Dinner & Other Entrees
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Turk’s, 8A-11P, Traditional Thanksgiving Dinner, available for Lunch & Dinner
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The Brig, 7A – Close, Full Menu with Thanksgiving Specials
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Coco Bloom Coffee, 6:30A-12P, Seasonal Beverages & Pastries
WHEN: THANKSGIVING DAY
Thursday, November 27, 2025
7 AM – 12 PM
RACE SCHEDULE
7:00 AM 10K Race
8:30 AM 5K Race #1
9:15 AM Costume Contest
9:30 AM 5K Race #2
10:15 AM Kids’ 1-Mile Gobble Wobble
WHERE: Dana Point Harbor
34555 Golden Lantern Street, Dana Point, CA 92629
MORE INFORMATION:
Pre-registration is required for all race participants. Spectators may view the events for free. Complimentary 4-hour parking is available in the adjacent all-new harbor parking structure.
For additional parking information, please visit danapointharbor.com.
For more information about Thanksgiving events and upcoming holiday specials, visit Dana Point Harbor at danapointharbor.com.
To view all events taking place at Dana Point Harbor, visit danapointharbor.com.

Images courtesy of Dana Point Chamber of Commerce.





by Niki Smart
Davon Moseley (better known as Royale Eats) isn’t just cooking, he’s changing the way we think about food. A culinary creator, entrepreneur, and viral force with over 2.5 million followers and billions of views across TikTok and Instagram, Davon has earned a devoted audience by blending authenticity, tradition, and digital savvy into soul-satisfying dishes that celebrate community and culture.
Raised in Washington, D.C. and Maryland with deep family ties to North Carolina, Davon was raised in a home where the kitchen was the heart of every celebration. Royale Eats was born from this foundation—celebrating the power of food to unite and uplift. Today, his flavor-forward, approachable recipes are beloved by home cooks across the country, with Borders and a slate of new projects setting the stage for his biggest year yet.
As we head into the final months of the year, Davon is entering his most ambitious chapter yet. He’s launching the Royale Eats newsletter, relaunching his sold-out cooking classes, and debuting his brand-new YouTube series, Borders (Borders Trailer) and all leading up to the release of his highly anticipated book, Let’s Get Into It, arriving November 4th.
SoCal magazine caught up with Davon to ask him a few questions:
You grew up in a household that spent a lot of time in the kitchen, and the kitchen was the heart of every celebration.
Did you equate food with nurturing? And how has that played out in your life?
I surely view food as nurturing. I believe that food not only nurtures the body but also nurtures positive relationships. I’ve witnessed the ability that food has in bringing people together. When good food is present I’ve found it tough for there to be disagreements and negativity. Food is a catalyst of peace.
Did you have a specific favorite meal as a kid?
This may shock many people but growing up my favorite meal was baked beans and smoked sausage. The baked beans would be cooked with onions, bell peppers, spices, and smoked sausage. There’s nothing truly special about it on the surface but my dad used to make it from time to time and we would eat a bowl of it together. It may be a nostalgia thing for me.
Were there certain foods that you wouldn’t eat (as a kid)?
It’s funny because most of the foods that I can remember that I would not eat as a kid I happen to enjoy now. That includes brussel sprouts, salsa, carrots, and cauliflower just to name a few. The only foods that I can think of that I wouldn’t eat when I was a kid and still struggle to eat are mushrooms and olives.
“I wanted to make something for home cooks to give them a foundation of recipes to gain confidence in the kitchen.”
Later, you were a vegetarian. Why was that, and how long did that last? Why did you stop?
I originally became vegetarian as part of a project. While in college at Michigan State University I worked at a sports performance clinic as a trainer. All of the new trainers were tasked with a project to develop a plan that would benefit the athletes that we trained. For my project I decided to create a dietary plan for vegan athletes that we trained. I was inspired to do this when we would have nutrition talks with our athletes and I noticed that a small amount of them were either vegan or vegetarian. While it was not that many of them, I felt compelled to work on the plan so that all of our athletes’ needs would be met. In order for me to truly understand what it is like for a vegan/vegetarian athlete, I adopted the plant-based lifestyle and did physical training 5 days a week. I saw myself as the best test subject and it turned out to be a great experience. I kept living this lifestyle after the project was done just to see how long I could continue it. I honestly stopped because one day I accidentally ate a dish that had chicken in it. Once I broke my streak I returned back to my normal eating habits. It was a great experience for me and I was able to expand my palate. I hope to introduce some of the plant-based recipes I learned during that time soon with Royale Eats.
You’ve built a large platform with an influential reach. Do you try to influence people to eat in a healthier manner?
I’ve definitely found myself more conscious of the recipes that I share with my supporters. During this time of year it is more comfort food focused but heading into the spring/summer coming up there is a plan for more health conscious dishes.
Being a chef can be an incredibly stressful job. How do you “keep your cool” when things start sliding south?
When things get challenging in the moment I rely on my spiritual faith to keep me grounded and at peace to know how to navigate through these moments. For the long term, I make sure to schedule time for myself to decompress.
What was the motivation behind your new book “Let’s Get Into it”
I wanted to make something for home cooks to give them a foundation of recipes to gain confidence in the kitchen. The book starts off with a section called ‘Back to the Basics’ that features recipes on how to pan sear meat proteins (chicken, steak, and salmon), how to make fruit jams (strawberry jam, grape jam, and apple butter), and stocks (beef, chicken, and vegetable) just to name a few. Then, we have sections containing recipes that are designed for home cooks to turn their home into a “restaurant”. I want everyone that opens this book to be inspired to make dishes for their family and friends.
If you could give every human being on earth a gift, what would that be?
If I could give every human being on earth a gift it would be the gift of presence. The best things in life happen when you’re present in the moment. Many of us don’t get to experience presence for a substantial amount of time due to dwelling over things that happened in the past, worrying about what’s to come in the future, or being distracted by technology. When you’re present you get to see how amazing life truly is and enjoy each moment for what it is in the moment.
THANK YOU, Davon – our team at SoCal Magazine wishes you the best of luck.
Photo credit: Stephen Buchanan





by Dennis Richardson
Just in time for Fall, Cesare Ristorante’s new incoming concept is launching: Cesare’s Pinsa Bar! Nestled in the heart of Beverly Grove, Cesare Ristorante has formally announced itself as a sophisticated yet welcoming dining destination, redefining the Italian fine dining experience in Los Angeles.
Founded by celebrated chef and restaurateur Cesare Vietina, along with his wife Pamela, Cesare Ristorante channels the couple’s deep love of Italian culture, hospitality, and cuisine. Born in Forte dei Marmi, Italy, Cesare’s culinary journey began early, working alongside his family in their coastal Michelin-starred restaurant. Having spent years influencing Los Angeles’ dining landscape, from opening Giorgio Baldi during college to co-owning the legendary Madeo for nearly three decades, Cesare now brings his unique vision to life in this charming space. And the next big step for the couple is set to begin on Monday, October 27th with Cesare’s Pinsa Bar.
“A Taste of Italy, Reimagined for LA”
The menu is dedicated to their signature super-light pinsa dough, which has a crispy exterior and cloud-like interior, made of 80% water, known as the “pizza for models” in Milan. After months of perfecting the recipe, owner and head chef Cesare Vietina has created the Pinsa Panini—the first of its kind in LA!
Guests can choose from 6 Pinsas and 8 Pinsa Paninis, some Italian (Cacio e Pepe, Salame & Fig) and some American (Ciccia Burger, Mio Philly), all with housemade sauces and premium meats and cheeses imported straight from Italy.
Chef Cesare Vietina is excited for the launch, expressing, “I couldn’t be more joyous to present the taste of Italy, reimagined for LA. There’s so much creativity behind our new Pinsa Panini — it reminds me of growing up in Forte dei Marmi, grabbing a great panino with friends after school or after a night of dancing. Now, as a father of two Italian-American boys, I find inspiration in blending our Italian traditions with beloved American classics. We even created our own twist on the Philly Cheesesteak!”
Italian and American favorites combining for the ultimate seasonal comfort food? It can’t get any better.
At “Cesare’s”, guests experience the taste of Italy and the feel of home, as they swirl traditional pastas and sip hand-selected wines over conversation. After a warm welcome at the door by the owners, guests can choose to sit in the intimate, dimly-lit dining room, on the open-air patio, or at the bar. Whether a romantic date night, a lively dinner with friends, or a quiet meal at the bar, the dedicated team at Cesare’s, a majority of whom have been with the Vietina family for years, will make the experience
special.
Since its quiet opening in July, Cesare Ristorante has already garnered a loyal following of diners, both regulars and new faces drawn by word of mouth. But this is not just another restaurant tied to Cesare’s celebrated history at star studded establishments — it is a true testament to his years of mastery, creativity, and passion for bringing the essence of Italy to every table. With impeccable attention to detail, an inviting atmosphere, and cuisine crafted with love, Cesare Ristorante is set to be one of LA’s best Italian restaurants.
Cesare’s Pinsa Bar is now open for a laid back cafe-style lunch service Monday-Friday, 11am-3pm, along with takeout and DoorDash. Fine-dining dinner service at Cesare Ristorante remains Monday-Saturday, 5:30-10:00pm. Reservations are highly recommended and can be made on OpenTable or by calling 310-273-3605.
Cesare Ristorante is located at 8636 W 3rd Ave, Los Angeles, and open for dinner Monday-Thursday from 5:30 PM-9:30 PM, and Friday & Saturday from 5:30 PM-10 PM, with the bar open late.
For more information, visit cesareristorante.com.





by Lucy Crivelli Frey
Every year during Hispanic Heritage Month, I reflect on the women who inspire me, the ones who carry our culture, our values, and our determination into spaces where representation is still too rare. This year, I am honored to highlight Lorena of S&P Landscape, whose story embodies what it means to build with corazón.
S&P Landscape is more than a business. It is a family legacy that began with Pablo, Lorena’s father-in-law. Years ago, Pablo planted the seeds of this company with his own hands, fueled by sacrifice and hard work. Like so many immigrant fathers, his dream was never about himself alone, it was about creating something his children and grandchildren could inherit, nurture, and grow into something greater even after he’s been gone.
Today, that dream lives on. Lorena and her husband, Sal, have taken Pablo’s vision and are carrying it into the next generation. While the work in the field continues, Lorena has stepped up to lead the branding, marketing, partnerships, and community-facing side of the business. She is pushing the family name forward, making sure that the sacrifices Pablo made become the fruits his family can finally enjoy.
Ese sacrificio no fue en vano.
What makes Lorena’s story even more powerful is the way she wears all her hats with pride; mother, wife, daughter, entrepreneur, and community leader in Inglewood. She pours into her family with the same commitment she pours into her business and her community. Her ability to balance those roles with grace and determination is a testament to her strength and vision as a Latina leader.
Her spirit of building community extends beyond landscaping. Through Urbano Wood, she created a way to connect with others during the pandemic through plants and plant care. Out of her backyard grew a movement. Neighbors, friends, and strangers finding peace, inspiration, and connection through greenery. What began as a small seed has now blossomed into pop-ups, events, and collaborations, with even more to come from S&P x Urbano Wood.
In our culture, the land has always been sacred. It feeds us, grounds us, and gathers us. Lorena carries that tradition forward, transforming yards and gardens into places where families can thrive and memories can take root. But what she’s truly planting is legacy; one that her children, and their children, will continue to grow.
This month, I want to honor Lorena not only for her work, but for her heart. Supporting her business means more than investing in landscaping, it means investing in a family, in a community, and in a future. When you support S&P Landscape, you’re also supporting her children, the next generation of S&P, and ensuring that Pablo’s dream continues to bear fruit.
To Lorena, thank you for reminding us that growth starts from within, and when we lead with culture and tradition we can transform not only the spaces around us, but the future for our community. Gracias.





by Lucy Crivelli Frey
Some people dream of the spotlight, while others carry it with them. Carolla Parmejano has been doing the latter for more than twenty years, not just on stage and on screen, but in the way she lives, the communities she uplifts, and the message she stands behind. Carolla has always chased purpose, not glamor. As a young girl, she dreamed of becoming a superhero. That dream never left. While her path led her to acting, to award-winning roles and international recognition, she never stopped asking herself the hard questions: Why do I want the microphone? What message do I want to leave behind when I have people’s attention?
Her answers came through lived experience, red carpets, long hours training in archery and wire work, late nights navigating industry expectations, and also through the simple act of thrift. When she could not afford a new designer dress for every premiere, she turned to secondhand shops. What began as survival became her statement. Repeating outfits, reworking vintage pieces, and co-founding Love for Upcycling, a nonprofit organization dedicated to sustainability, turned necessity into a movement. Carolla had found her way of saving the world, one dress, one message, one community at a time.
To describe Carolla as just an actress would be to miss the full picture. She is also an activist, an entrepreneur, a producer, a director, and above all, a bridge-builder. Her work with We the Latin , another non-profit she also co-founded, reflects that perfectly. A platform created to affirm Brazilian identity within the larger Latin community, offering a home for voices that too often have been left on the margins. She doesn’t shy away from how difficult it has been to balance these identities. Instead, she treats each with precision. “When I’m networking as an actress, that’s who I am. When I’m representing Love for Upcycling, I speak from that place. When it’s We the Latin, I open doors and listen to people’s stories.”
It’s this ability to compartmentalize with clarity, while still weaving everything into the larger fabric of her purpose, that makes her journey so rare.
Even in her latest project as an actress, the Lifetime/Amazon feature film, “Secrets of an Influencer,” Carolla leans into storytelling as a vehicle for impact. Playing Jacqueline, a complicated character making bold and dangerous choices for her family, she found herself tapping into darker emotions. At the core, she saw the work as a way to sound an alarm for parents navigating the digital age. “Even though I’m representing an evil character, I am giving a message,” she explained. That is the throughline of her career: to perform, yes, but always to serve.
When asked about legacy, Carolla doesn’t speak about accolades or awards. Instead, she points to alignment: doing what wakes you up in the morning, what resonates with your soul, even if it takes years to discover. “Don’t rush,” she advises anyone looking for their purpose or starting their career.
“You’re not going to find your why in a book or in a video. You’ll find it in your own time, in your own moment. And when it comes, that’s when you’ll know what you came here to do.”
Carolla’s story is not about being just one thing, it’s about being everything she loves, without apology. Actress, activist, entrepreneur, community-builder, Latina. All of these things together are what make Carolla Parmejano, and it’s that wholeness truly inspired me. And if the universe is listening, don’t be surprised if the next chapter has her in a cape, finally landing that superhero role she dreamed about as a little girl. After all, she’s been playing one in real life all along.
Follow Carolla’s journey: @carollaparmejanoofficial





by June Miller Richards
All Aboard for a Spooktacular Halloween Boat Ride at JW Marriott Desert Springs
This Halloween season, the JW Marriott Desert Springs Resort & Spa in Palm Desert is putting a spooky twist on its popular electric boat rides. The resort’s sleek vessels will be transformed into floating haunted scenes, complete with eerie lighting, cobweb-covered corners, haunting melodies and a costumed crew ready to set the mood.
Passengers will embark on a 25-minute “spirit voyage” through the scenic waterways of the hotel, enjoying a selection of sweet and savory treats along the way. Little ghosts and goblins under 12 years old who arrive in costume will receive a complimentary spooky drink to keep their Halloween spirits high.
Pricing starts at $140 per boat, which accommodates up to eight passengers. Rides are available on October 17, 18, 24, 25, and 31, from 6 p.m. to 10 p.m., and are open to both hotel guests and local visitors alike.
Reservations are recommended and can be made through the hotel’s activity website
Spooktacular Boat Rides are BACK!
Hop aboard JW Marriott Desert Springs’ haunted boats for a Halloween cruise like no other. Enjoy eerie lights, haunting tunes, sweet & savory treats, and a costumed crew as you glide through the resort’s waterways.
Kids in costume (under 12) get a free spooky sip!
$140 per boat | Up to 8 passengers
Oct 17, 18, 24, 25 & 31 | 6–10 PM
Reserve your ride
https://jwdesertsprings.247activities.com/services/BoatTour/ (more…)





by Niki Smart
Podere Lamberto is a working farm, family home and guesthouse where the owners, Linda, Doug and AJ produce magnificent wine as well as delicious olive oil, both with full BIO/organic status. Linda, Doug and AJ hail from South Africa. They’ve worked hard not only to get their dream farm up and running but also to assimilate into their Italian community. It was actually Doug’s mother, Linda who discovered the farm in 2019 and now Doug, and his husband, AJ, manage the farm and all of its activities (which includes grapes, olives, plums, hazelnuts, truffles and the guesthouse).
Together, Doug and AJ have poured their hearts and souls into Podere Lamberto and, although at first, they (foolishly) thought they could do everything by themselves, they soon realized how impossible a task that would have been. Together with their small but amazing team, their years of hard work and determination have paid off — and you can be the benefactor of their loving labour because they’ve created the perfect hide-away in the beautiful hills of Tuscany that you can visit.
For Doug and AJ, the most important businesses on the farm are the wine and the agriturismo. But what, exactly, is agriturismo? Well, it’s a “farm-stay”…and possibly the best way to experience Italy’s countryside. An agriturismo is an independently-owned farm that offers accommodation. At Podere Lamberto you can expect home made breakfasts, and your room will be in the old farm house, or in the annex built nearby. Doug and AJ know that there are many agriturismos in Italy that may be more luxurious, or in better locations, and may offer more in terms of activities, so their unique approach is to make people feel welcome and at home. Their philosophy is that Podere Lamberto is your home away from home, and they want you to be as comfortable as possible. Being travelers themselves, Doug and AJ know that vacations/holidays don’t come often for most people, so regardless if someone stays for 2 days or 2 weeks, they will make them feel as welcome as possible. The fantastic ratings on Booking.com and Google Reviews prove their outstanding hospitality. Breakfast can be included in your stay and as much as possible, Doug bakes the breads himself while AJ and Silvia (the previous owner who still works with them) takes care of the desserts using flour from local producers. They’re always on the hunt for ways to use local produce and to source organic products where possible. You will not be disappointed.
For the vineyard and wine making, Doug and AJ again strive to do as much as possible themselves, and to stay as involved in every aspect as they can. Their biggest vineyard is 1,5 hectares and is currently the only vineyard in production. It consists mainly of Sangiovese, but has 12 rows of Merlot, and a small amount of Colorino, Mammolo and Canaiolo. The wines, along with everything else on the farm, is fully organic, plus Doug and AJ have an agronomist and an oenologist on hand to ensure that their wine is of the utmost quality. Podere Lamberto currently offers three different wines: a Nobile di Montepulciano (DOCG), a Rosso di Montepulciano (DOC) and a Colline (IGT), which is 100% Merlot. The Merlot is only sold on site at the farm. Every year is different due to the harvest and weather conditions, but usually, they produce about 4500 bottles of wine per year. If all goes well, 2025 will be the first year where Podere Lamberto might produce more than 5000 bottles. (There are some tasting notes included in the technical sheets (below) for those wine connoisseurs who want to know more).
Lastly,
Podere Lamberto farm/guesthouse offers easy access to explore the rest of Tuscany. The beautiful sea-side towns of
Castiglione della Pescaia, Punta Ala, Baratti beach, and Argentario are all within reach by car. The world famous towns of Siena and Florence are also close by. Those who love Tuscany know that it holds many beautiful hilltop towns, is rich in arts and culture, has antique markets to explore, and a multitude of spa and wellness facilities. The nearby,
Chianciano Terme boasts healing waters and mud and has several therapeutic resorts/spas offering different treatments that use the region’s fertile mud. Then there is Montepulciano, founded in the 3rd century BC and steeped in history. Montepulciano sits on a hilltop just 7 kilometres away from the farmhouse and the beautiful clock-tower, main piazza and the gorgeous Palazzo Communale are worth a visit. On top of that all that, there is the world famous food and wine of Tuscany, plus the countryside is so picturesque you’ll feel as if you’re in a movie.
Bookings for 2026 at Podere Lamberto will only open officially in December, so for now, if you want to book for the 2026 season, you can contact AJ and Doug directly via mail or on their Social Media channels, and contacting them now will mean locking in 2025 prices for a 2026 holiday.
As for their wine, Doug and AJ are offering SoCal readers a 15% discount on wine orders (orders need to be multiples of 3 and unfortunately they can’t cover the shipping costs, but will give you a quote before sending the wine).
Sales of the wine can be done directly via these communication channels: Mention SoCal to get your 15% off.
- Podere Lamberto S.R.L. Società Agricola
- Via dei Poggiardelli, 16 53045 Montepulciano (Siena Toscana)
- ENG +39 345 468 0092 – bookings@poderelamberto.com
All photos courtesy of Podere Lamberto (except the last four photos by Vivienne Stuart).





by Randy Dunbar
LA Opera is presenting West Side Story for the first time, opening its 40th Anniversary Season at the Dorothy Chandler Pavilion. This landmark production also marks the final season of James Conlon as Music Director, after two decades leading the company. The production gives Leonard Bernstein’s iconic musical a grand operatic treatment, featuring a full orchestra in the pit and a mix of opera singers and Broadway-trained performers onstage.
JT Church as Nibbles, Yurel Echezarreta as Bernardo and Juan Miguel Posada as Chino. (Photo: Cory Weaver/LAO)
Duke Kim as Tony and Gabriella Reyes as Maria. (Photo: Cory Weaver/LAO)
“The Tonight Quintet.” (Photo: Cory Weaver/LAO)
Below: James Conlon conducts a West Side Story rehearsal. (Photo: Cory Weaver/LAO)
“Would you believe in love at first sight?” asked Ringo Starr on 1967’s Sgt. Pepper’s Lonely Hearts Club Band. That question seems as apt for LA Opera’s epic new version of West Side Story as it did for the Beatles.
LA Opera is presenting West Side Story for the first time, opening its 40th Anniversary Season at the Dorothy Chandler Pavilion. This landmark production also marks the final season of James Conlon as Music Director, after two decades leading the company. The production gives Leonard Bernstein’s iconic musical a grand operatic treatment, featuring a full orchestra in the pit and a mix of opera singers and Broadway-trained performers onstage.
Directed by Francesca Zambello, the staging preserves Jerome Robbins’s legendary choreography while heightening the drama of the piece. The cast includes soprano Gabriella Reyes in her LA Opera debut as Maria, tenor Duke Kim as Tony, Amanda Castro as Anita, Taylor Harley as Riff, and Yurel Echezarreta as Bernardo.
The production runs from September 20 through October 12, 2025, with performances designed to feel larger, bolder, and more “operatic” than traditional stagings. For audiences who cannot attend in person, LA Opera is offering a free simulcast on September 27, streaming live to the Santa Monica Pier and Loma Alta Park in Altadena.
West Side Story is a landmark American musical that premiered on Broadway in 1957, with music by Leonard Bernstein, lyrics by Stephen Sondheim, book by Arthur Laurents, and choreography by Jerome Robbins. A modern retelling of Romeo and Juliet, it is set in 1950s New York City, focusing on the rivalry between two street gangs—the white American Jets and the Puerto Rican Sharks—and the doomed romance between Tony and Maria. The show broke new ground by blending ballet, jazz, and Latin dance with a serious social message about love, prejudice, and violence. Its score introduced classics such as “Maria” and “Tonight.” The 1961 film adaptation, directed by Robert Wise and Jerome Robbins, won ten Academy Awards, including Best Picture, solidifying its cultural legacy. Revivals and reinterpretations continue to appear, most recently Steven Spielberg’s 2021 film, proving the story’s enduring power as both entertainment and social commentary.
LA Opera’s version offers a modern update—Anita’s room, for example, features Bad Bunny posters. At its heart, it remains a fairy tale, asking the audience to believe that two strangers can fall deeply in love. Yet, this is also a musical that opens with a group of young men dancing in unison on the streets of New York. Never has youth been so well choreographed: Jerome Robbins’s staccato finger-snapping movements propel the drama across the limited stage, brilliantly enhanced by Peter J. Davison’s set design and Mark McCullough’s lighting.
Gabriella Reyes brings innocence and lightness to Maria, matched with a big, commanding voice. Duke Kim’s Tony is operatic by nature, his voice soaring in moments of romance, his “Maria” drew the largest audience applause. Act One moves quickly and deliberately sets the stage for a climactic rumble. Act Two, however, introduces some dramatic oddities: the deaths of two main characters seem understated, and Maria’s reaction to her brother’s death can feel unrealistic, though one must remember that all events unfold within a 24-hour period.
In the late 1950s, Broadway was a vibrant mix of charm, romance, and the beginnings of grittier urban storytelling, with West Side Story (1957) leading the way in its bold portrayal of love and conflict in New York’s streets. For many, this show is a watershed experience in their lives. To the extent that this musical was different, its importance can be measured by its daring integration of music, dance, and narrative to address social tensions, a stark contrast to the lighter fare of the time. Audiences were also enchanted by the lyrical elegance of My Fair Lady (1956), the small-town whimsy of The Music Man (1957), and the workplace antics of The Pajama Game (1954). Even earlier hits like Oklahoma! and Rodgers and Hammerstein’s Carousel continued to captivate theatergoers through revivals, while politically infused tales such as Fiorello! (1959) added a sharp contemporary edge. Together, these musicals created a rich tapestry of melody, story, and social reflection, marking a golden era where Broadway balanced both lighthearted delight and the stirring power of more daring, modern narratives. It should be noted that the Tony Awards that year went to The Music Man.
This LA Opera version serves as a metaphor: in a climate of political tension surrounding immigration, DEI, and related issues, the production proudly presents a uniquely diverse cast, reflecting the world it portrays and emphasizing inclusion not just as a concept, but as a lived reality on stage. Through this casting and the bold storytelling of West Side Story, the opera transforms a classic tale of rivalry and romance into a timely commentary on cultural intersection, social justice, and the power of representation in the arts.
For information and tickets visit https://www.laopera.org/





by Randy Dunbar
When the Lucas Museum of Narrative Art finally opens its doors in Exposition Park in 2026, visitors won’t just step into another shrine to film memorabilia. They’ll enter a sweeping, spaceship-like structure dedicated to one of the oldest and most universal human impulses: storytelling through art.
The $1 billion project, founded by filmmaker George Lucas and philanthropist Mellody Hobson, has been in the works for more than a decade. Rising beside the Coliseum and the California Science Center, the 300,000-square-foot museum will house an eclectic collection spanning Renaissance paintings, Depression-era murals, Norman Rockwell illustrations, comic book pages, and original Star Wars concept art. Together, these works form a single, provocative category: “narrative art.”
A Museum Built on Story
Designed by Ma Yansong of MAD Architects, the building itself is a kind of narrative—an organic form lifted above the ground, its sweeping canopy shading gardens and green space where asphalt parking once sprawled. Landscape architect Mia Lehrer has filled the site with more than 200 trees, walkways, and public lawns, making the museum as much a civic park as a cultural destination.
Inside, two theaters, classrooms, and expansive galleries will anchor a collection Lucas has been assembling for more than 50 years. The focus is not on abstract expression or conceptual installations but on images that tell stories—art as a window into myth, memory, and identity.
What You’ll See
Expect the unexpected. A John Singer Sargent portrait may hang across from a Jack Kirby comic strip. Ernie Barnes’ kinetic depictions of Black life will share space with 16th-century religious tableaux. Murals by Judith F. Baca will face early storyboards from The Empire Strikes Back.
“The power of narrative art,” says chief curator Pilar Tompkins Rivas, “is that it makes meaning accessible. These are images that speak directly, whether they were painted 500 years ago or drawn last year.”
The collection also emphasizes voices often underrepresented in mainstream art museums—Indigenous artists, Latinx muralists, contemporary Black painters, and illustrators whose work has shaped cultural identity for generations.
Bridging Pop and Fine Art
Critics may raise eyebrows at placing pulp magazine covers beside Frida Kahlo paintings. But that’s precisely the point: to dissolve boundaries between “high” and “low,” and to show how both comic books and oil paintings can shape our collective imagination.
For Lucas, the logic is simple. “All art tells a story,” he explained during a 2025 Comic-Con panel, where he previewed pieces from the museum’s holdings. “Whether it’s a myth painted on a chapel ceiling or a storyboard for a film, the artist is trying to connect us to a world beyond ourselves.”
A Cultural Anchor for South L.A.
The museum is also a major investment in South Los Angeles. By replacing a sea of parking lots with gardens and a landmark building, the Lucas Museum is poised to become a gathering space for residents as much as a tourist draw. Education programs, free public access to outdoor spaces, and exhibitions rooted in community stories will ground the project in its neighborhood.
For Exposition Park, already home to the California African American Museum and the Natural History Museum, the addition promises to solidify the district as one of L.A.’s richest cultural corridors.
The Story Ahead
As the finishing touches are placed on the museum’s flowing façade of fiberglass panels, anticipation builds. When it opens in 2026, the Lucas Museum of Narrative Art won’t just celebrate a galaxy far, far away—it will challenge Los Angeles to see storytelling itself as an art form worth collecting, critiquing, and cherishing.
Because in the end, as the museum’s vision suggests, our shared stories—whether painted, penciled, or projected—are the truest art of all.





by Contributor

Kathleen, appreciate you joining us today. Let’s start with the story of your mission. What should we know?
I grew up Irish Catholic as the daughter of a narcissistic and an alcoholic
Many years, so many bad decisions and 2 marriages later, I found myself living back with my parents at the age of 51.
My second husband was a raging heroin addict. I moved in with my parents to not only get away from that, but to help my mother take care of my father with Alzheimer’s.
During this time, I went back to school and became a licensed Esthetician.
I have a full time job as a food sales rep (have always been in the restaurant business – was a chef and caterer for many years)
I knew I had to do something more. Something different. I had recently started doing more spiritual work to start working on my traumas. I had dabbled in spirituality since I was 15 but always set it to the side until most recently. I wanted to heal – to be a healer, and, as an Esthetician I’m able to do that.
I’m working on myself and all of my traumas now and will continue to. My spiritual community and belief has been so eye opening, such an awakening. I want us all to feel the hope and beauty of the world.
I wanted to something different and natural for my clients, so I took my knowledge of recipes as a chef, and my new knowledge of essential oils and their healing properties, and I formed my own skincare line.
From there, I became a certified Reiki Healer and took my products up a notch – I add reiki energy into all of my products.
My ideas and dream is to heal women from the inside out. Through traumas, insecurities or whatever other ailment we have as women to feel bad about ourselves, I want to help heal all of us, one facial at a time. From soul to skin.
Let’s talk about resilience next – do you have a story you can share with us?
The journey in my new business hasn’t been that long. I started it all 4 years ago when I went back to school. While I was working a full time job and taking care of my father with Alzheimers, I went to school at night. Five days a week. I would leave for school at 4:30 and get home by 10:00pm – then study for our weekly tests that included, mostly, biology.
I did this for ten months and graduated on time, first in my class.
I’m still working my full time job, but am hustling on the side to get my business running. I attend several women’s networking groups a month and get in front of as many people as possible. Whenever I have free time, I’m working on my business. When I’m not networking, I’m on social media, promoting.
How about pivoting – can you share the story of a time you’ve had to pivot?
Now. Currently.
I’ve been in the restaurant business for forty years. The last fifteen in the food sales end of it. That’s what I’ve known my entire life. It doesn’t fit into my life anymore. The stress and toxic environment of the business doesn’t align with me or my purpose. I’m searching for peace and harmony and remove myself from everything the food business and the toxicity of it brings to my life.





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